Feb 28 2009
Archive for February, 2009
Feb 28 2009
Writing Tip of the Day: V-I-L-L-A-I-N
The words “villain” and “supervillain” are commonly misspelled. Don’t mess them up!
Feb 28 2009
A minor tweak…
A few weeks ago, I revised the first two pages of Twilight to show how editors rip into even the manuscripts that are good enough to publish. Anyway, I redid the editing so now that will be easier to read. (You can see the original review here, but don’t say I didn’t warn you).
I also added the Twilight page to our series of reviews that draw lessons for writers from published works such as Eragon, Soon I Will Be Invincible, and Empire of Ivory.
Feb 25 2009
Please Take The Superhero Nation Survey!
Hi, I’m looking to get published. My prospective publishers want me to provide information about my audience. Specifically, are you interested in my book about how to write superhero stories? Would you prefer information tailored to novelists, comic book writers or both?
I would really appreciate 5 minutes of your help. Thanks!
Feb 25 2009
Comic Book Writing Tip of the Day: Sell the Next Issue
I’m very fond of Spiderman Loves Mary Jane, particularly the way it ends its issues. The last page of each issue wraps up the plot of that issue and foreshadows the next issue. The cliffhangers are usually pretty strong and make the reader want to keep going. For example, check out these sample concluding pages.
Feb 23 2009
If Arthurian legend had fan-fiction…
- The hero would definitely be American. And possibly a woman, but nevertheless the most acclaimed knight of all time.
- The hero would find the Holy Grail halfway through the story. Just because.
- The official currency at King Arthur’s court will be gold pieces, and everyone will wear plate mail. With leather pants.
- Neither King Arthur nor Lancelot would mind if this knight started dating Guinevere. After all, the hero is universally acknowledged to be the noblest and sexiest knight in all the land, so of course he should have the noblest and sexiest woman in all the land. Duh.
- After the hero effortlessly wins Guinevere’s heart, she never even thinks of pining for anyone else (even though she, umm, cheated on Arthur with Lancelot).
- The hero would be of ridiculously high birth, probably the heretofore-forgotten eldest son of King Arthur. Probably just back from the heretofore-forgotten American Crusade.
- If male, the hero is about 50% likely to be a furry. Bizarrely, this will not make it any less likely that he gets together with Guinevere.
- Nobody will starve, get dysentery, get gangrene from a minor wound, or die of battle exhaustion. What kind of medieval story do you think this is?
- The hero may have a bizarre sexual fetish, like wanting to have sex while on fire. Fortunately, he will discover that everyone else has the same fetish.
- Other characters will not even try to apply prevailing social norms (particularly related to gender roles and sex) to the main character. After all, he’s American. Duh!
- The hero probably has a dragon. Depending on #7, he may be a dragon.
- Any sort of religiosity, prayer, or references to faith will be notably absent.
- Gallahad, the Green Knight, and a squire dressed as an ocelot are fairly likely to make you wish the knighthood took its don’t ask, don’t tell policy more seriously.
Feb 20 2009
9 Unsolicited Tips for Young Authors
1. Read broadly and watch a lot of movies. If you’re only acquainted with a few well-known works, your stories will probably feel like they were heavily influenced by those stories.
2. Learn grammar, punctuation and spelling. It’s basic writing craft. THIS IS NOT OPTIONAL. It will be extremely difficult (if not totally impossible) to get professionally published if you don’t have a grasp on these basic writing skills. It’s sort of like showing up for basketball tryouts even though you don’t know how to dribble. You will be the first one cut. If your submission has glaring spelling and punctuation mistakes, you will be the first one cut.
3. Professional publishing is extremely competitive. Most novel publishers, for example, reject more than 99% of their manuscripts. If you’re daunted by rejection, this is not a good field for you. Unless you’re freakishly talented, expect to spend months rewriting before you get published.
4. Try to major in something other than English or creative writing. Having knowledge in a field outside of writing will give you more material to draw on, which will give you an edge over other authors. Even something like history or political science will give you amusing anecdotes you can draw on later.
5. If you’re really serious about becoming a professional author, I’d recommend attending a private university. First, their class sizes tend to be smaller across the board, so writing workshops will probably be more instructive. They also tend to offer more money for undergraduates interested in taking on creative endeavors.
6. Blogging is good experience. It can help you figure out what attracts an audience and what doesn’t. It can also help you create and sharpen ideas. For example, this writing blog has generated at least one book worth of material about how to write well.
7. Writing fan-fiction is generally not good experience. It’s better to try creating your own worlds, characters, plot-lines, etc. The material you generate will be fresher and easier to use later.
8. In writing, there are no points for effort or personal circumstances. You’re judged only on the quality of your product. Please don’t be one of the writers that pleads for the mercy of publishers because they suffer from (usually self-diagnosed) dyslexia or whatever. If something like dyslexia affects your writing, you have three options: overcome the obstacles yourself, have someone else deal with the problem (by proofreading your work, for example), or find a new line of work. Even if you are dyslexic, you will be held to the same standards of readability as everybody else.
9. Writing teachers mean well and can be great sources of advice, but remember to take all advice with a grain of salt. For example, maybe the teacher doesn’t have a style similar to yours. If so, his advice might just mean that he’s not a fan of your preferred kind of writing. For example, we tend to prefer mass-market comedies and action stories rather than denser, literary works. If we told you that your work was overwrought and didn’t move quickly enough, one possibility you should consider is that it’s moving fast enough for the kind of book you’re writing. I’d also recommend looking for literary agents that have experience selling books like yours.
Feb 17 2009
Advertising Tip of the Day
Suggestion: if you’re going to advertise a bodycare product, please tell your model to do a pose other than “grimacing in pain.” It looks like she’s taking an acid bath.
Feb 17 2009
I’d appreciate your design input… yet again
When we last left off, we were working on a cover for the first issue of Superhero Nation.
Feb 16 2009
A quip about Heroes
“Heroes is like looking at an ex-girlfriend. You know there was so much potential there, and you want to believe in it, but you can’t look past the scathing flaws that make you wrong for one another.”
–Jeremy Alonzo
Feb 14 2009
I’d appreciate your design input… again
Feb 14 2009
How to Give Your Superhero A Day Job
If your superhero has a secret identity, he probably has a day job. Here are some tips for picking an effective day job.
Feb 13 2009
Hits and Misses from Marvel
These are some of the best and worst Marvel panels I’ve noticed over the past week.
Feb 12 2009
Doing tables in HTML? Use Tablemaker
If you find it tricky to code tables in HTML, I highly recommend Tablemaker. You give it the data you’d like in the table and it gives you the appropriate HTML. Neat. Your table might look something like this break-down of our user statistics for the past year.
Feb 12 2009
A Glimpse Into the Editor’s Office: Editing Twilight (Page 2)
The second page of Twilight wasn’t as bad as the first, but it still had many problems. This is how I would have edited it.
Feb 11 2009
A Glimpse into the Editor’s Office: Editing Twilight
This is how I would have edited the first two pages of Twilight. In particular, I feel that the main character has a bland personality and needs better motivations.



Feb 11 2009
Ack! I am horribly ill
It will probably be a few days until I get around to doing regular updates.
Feb 10 2009
A minor quibble with X-Men
One of the many things that annoys me about X-Men is that mutants are sometimes referred to as a separate species (which is sometimes called “homo superior”).
- As far as I know, mutants and humans are sexually compatible. If mutants and humans could produce sexually fertile offspring, by definition they would be part of the same species. (So, umm, yeah… if the kid shown in Superman Returns grows up to be sexually fertile, that would mean that Superman and humans are also part of the same species).
- Even if mutants were a distinct species, no self-respecting biologist would ever use such a loaded term for a phylum name. Ok, Magneto uses the term because he’s a scientific racist. But what’s Dr. Richards’ excuse?
Feb 06 2009
How to deal with an obnoxiously loud cell-phone user
There is someone on my floor that is obnoxiously loud on his cellphone. I am not exaggerating when I say that I feel like a part of his conversations even though he’s ten feet down the hallway and my door is closed. After four or five of these conversations, I politely asked him to move down another 10-15 feet and let me sleep. He said that he couldn’t because he had gotten complaints from the other side of the hall, too, and he didn’t want to go into the stairwell because the echoes were too bad. (Boohoohoo).
After another week of suffering through plodding descriptions of his bizarre sexual dilemmas and the many internships he’s considering for this summer, it was time for action. I convinced the residents of the floor to play obnoxiously loud music whenever he talks too loud. I’ve only had to play the 1986 Transformers theme twice. Problem solved.
Feb 05 2009
Football Tangent
I am flabbergasted that the Bears hired Rod Marinelli as assistant head coach. He coached the Detroit Lions to the NFL’s first 0-16 record. He was nothing but a trainwreck for his team, or perhaps an Ebola outbreak if you want to get technical. It could be credibly argued that his 2008 Lions were the worst team in NFL history. Why would we inflict ourselves with this football leper?
Feb 03 2009
Would you like to suggest a writing article? (Sticky post)
If you’d like to suggest any, I’d appreciate that. Here are some of the questions we’ve previously answered.
- How can I beat writer’s block? (Part 2 here).
- What are some common mistakes on the first page?
- How can I write an effective opening?
- What do I need to include in my comic book submission?
- How can I improve my fight scenes?
- I’m thinking about self-publishing. What are some of the obstacles I should be aware of?
Feb 02 2009
Writing Advice of the Day: Don’t Chicken Out
- When it comes to developing your characters, be bold. In most cases, it’s safer and more effective to develop character traits clearly rather than take the traits halway. For example, if the hero is definitely smart or cowardly or whatever, readers will definitely be on your page and it will be easier to use the character to drive the plot. In contrast, if the hero is just kind of smart or whatever, it often feels like the author is making it up as he goes along. For example, Dr. Impossible from Soon I Will Be Invincible is kind of the smartest man on Earth, except when he talks like he’s Napoleon Dynamite and inexplicably goes to a funeral attended by hundreds of superheroes. Mohinder is kind of a scientific genius, except when he inexplicably decides to test his mutant serum on himself without doing any sort of testing first.
- Remove everything from your story you aren’t willing to stand by. For example, if you plan to reveal that the last 10 or 20 pages were just a dream or a hallucination, why bother wasting our time with them? I recommend cutting those pages out, because otherwise readers will probably feel like you’re jerking them around. I also recommend against having lines of dialogue that the character takes back shortly afterward (“when I said something nasty a line ago, I was just kidding! Haha!”) Again, if you aren’t willing to stand by the lines you’ve written, they will probably just confuse and/or annoy the audience. If the character’s not actually nasty, for example, a line that could suggest he’s nasty is probably a red herring that should be removed.
- Actions should have consequences. One common problem, particularly with Mary Sue characters, is that the character’s actions rarely have negative consequences.
Feb 01 2009
Sunday Updates
- In February, we set a new personal record for new visitors. (We had around 10,000 for the month).
- Today, we reached 75,000 total visitors.
- On Centsports.com, I am putting my $4.75 on Arizona to beat the Steelers today. I fully expect to lose (defense wins championships), but I am fully buying into the much-hyped Arizona miracle.
Feb 01 2009
Review Forum Information
Hi, I made this list of questions to help writers get the most out of their review forums. If you have a review forum or would like one, I’d recommend answering as many of these as you can. Just post your answers in a comment and I’ll place that information in your forum. Thanks.

