Archive for the 'Superheroes' Category

Apr 18 2009

How would you fix this book?

Hello, I'm an assistant editor providing writing advice. SN specializes in superhero writing advice, obviously, but most of the advice here applies to fantasy and sci-fi as well.

Today, I came across a self-published book called Superhumans.

Here’s what it says on the back-cover:

Seth, a college student, is accidentally exposed to an experiment that gives him incredible powers. When he and his friend, Chip, try to unravel its secrets, they discover a threat to the world unlike any other. And soon, Seth will find himself faced with one obstacle after another as he tries to live a normal life with the woman he lives and their daughter.

I’ve posted the first page below the jump.  If you’d like a writing exercise today, please rewrite the first two paragraphs of the chapter so that they’re interesting.

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18 responses so far

Apr 10 2009

An interesting twist on a stale character concept?

Many (if not most) magical superheroes have day jobs as stage magicians.  (Zatara, Mandrake the Magician, Mr. Mystic, etc).  It’s a stale and completely obvious choice for a day job.  So I decided to do a fresh concept for a magical superhero.  By night, he’s a genuine sorcerer.  By day, he works to disprove supernatural claims, like James Randi.  I think it would be fairly amusing for a sorcerer to resort to nonmagical parlor tricks to convince the masses that what they saw was not, in fact, a magical fireball.  (Umm… perhaps it was a steam pipe malfunction?)

2 responses so far

Jan 29 2009

The Cardinals will win the Super Bowl because Kurt Warner is Sylar

Published by B. Mac under Comedy, Football, Heroes, Sports

I’ve noticed some uncanny similarities between Kurt Warner (Arizona’s quarterback) and Sylar from Heroes.

  1. One has spent the better part of a season mangling his enemies in spectacularly gruesome fashions.  The other is a serial killer.
  2. One wears white and red.  The other is white and usually spattered in red.
  3. Sylar has superpowers that allow him to avoid any lasting injuries. Warner doesn’t need superpowers.

How does Larry Fitzgerald make all those crazy catches? Because he knows that if he drops a pass, his head is gone.

One response so far

Jan 26 2009

“Ma’am, your son’s been murdered.”

CNN just did a piece on how cops break the news that someone’s loved one has been murdered.  I think the article is an especially useful resource for the authors of superhero stories because a lot of superheroes get so caught up in their superhero identities that regular people are essentially cut from the story.  For example, on Heroes normal people are sometimes used as props or plot devices, but they never get any important lines.   (Also, the characters haven’t had real jobs since season 1, and all of the recurring characters have superpowers now. Even Suresh and Ando!)

Although breaking tragic news to a spouse might get too angsty, I suspect that an author could play it quietly to add emotional depth to the superhero.  One of the things that annoyed me about Bruce Wayne/Batman is that he’s so socially retarded that it seems like he doesn’t care about anyone else.  Beating the hell out of bad guys is fine, but that’s just revenge for Batman.  If your hero is supposed to be likable, you might want to show that he’s at least trying to empathize with regular people.  I’d recommend having him stumble awkwardly in the conversation, though.  I think the scene depends on the awkwardness of the hero being thrust into a new role that’s hard even for professional chaplains.

What do you think?

2 responses so far

Jan 05 2009

What are some common mistakes of comic book teams?

We’re compiling a list of common mistakes of first-time comic book teams. I’ve got 40 so far, but I’d love to know what you would come up with.

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10 responses so far

Jan 01 2009

Some of the Differences Between Writing Comic Books and Novels

Published by B. Mac under Comic Books, Superhero Novel

  1. Novels are overwhelmingly word-driven.  In contrast, the primary tool of a comic book writer is visual imagery.  Words are a secondary tool to express what can’t be shown visually.  Comic book readers are annoyed by long blocks of text.  As a rule, I’d recommend limiting a page to 175 words of text for an adult audience.
  2. Novels will usually describe the settings and what’s going on in the background at some length.  In comic books, those worldbuilding details are almost purely visual.
  3. Every novel relies on a narrator.  In contrast, virtually every comic book avoids narration and instead tells the story with a combination of action, visual scenery, and dialogue (in roughly that order).   A comic book narrator may offer us little snippets of information like “FIVE MINUTES LATER…” but it’s not very interesting or smooth for him to drop paragraphs of information on us.
  4. Novels are much longer (60,000-80,000 words vs. 2500-5000 and ~300 pages vs. ~24).  As a result, novels tend to focus more on dialogue and low-intensity scenes than action sequences, particularly combat.  A 24 page comic book might spend 10 pages on 2 fights, but a 300 page novel probably wouldn’t come close to 120 pages of fighting or 25 fights.   Having that many fights would get tedious.  Also, novel fight scenes tend to suck.  If readers wanted to see a rolling fight scene, they would go for a comic book or, more likely, an action movie.
  5. Novel readers (particularly adults) tend to expect deeper characterization, fresher characters and more interesting relationships.  Character growth is far more important in a novel than a comic book.  If the main character has not changed or grown in some way over the course of the novel, readers are likely to feel dissatisfied.  In contrast, a character like Superman tends to change very little over the course of a comic book series.

One response so far

Dec 16 2008

Our visual approach to dialogue is getting more stylish

Let’s see if this works…
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One response so far

Oct 12 2008

Alaska Ethics Commission Reports: Palin Fired Matt Parkman!

The New York Times confirms that the Alaskan state trooper in “Troopergate” is actually Matt Parkman, a former police officer best known for his psychic abilities and contributing to the rampant power inflation in the second season of Heroes.  She probably had him fired after he tried to give her some of the African crazy-beans that he’s been gorging on for the last two episodes.  “They’ll let you see the future!”  Riiiiight.

One response so far

Sep 27 2008

Heroes’ season-premiere was worse than season 2

Published by B. Mac under Heroes, TV Review

Apparently I’m not the only one that thinks it’s past its sell-by date.

Hoping that the show would overcome its second-season slump, I watched the third-season premiere.  It was ridiculously bad… even worse than last season.  Here are some spoiler-heavy observations…

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7 responses so far

Sep 20 2008

Heroes jumps the shark… again

Published by B. Mac under Heroes, Superheroes, TV Review

The creator of Heroes said

In the second season I think we had some interesting things happen. You can’t really plan for the audience’s reaction to things and one of the things we found out was that the audience did not want to start slowly and build.

First, the show has been going on for two seasons.  Why does an action show need so much time to develop a plot that is far less complicated than Battlestar Galactica or Eureka?  Second, after introducing 10+ recurring characters in the first season, did Heroes really need to introduce another 5-10 characters?  No.

Finally, it seems that what we’re building up to is what they already did last season: a loosely linked assortment of heroes has to save the world from Something Really Bad.  That’s a premise that doesn’t lend itself well to repeats and tweaks.  The coincidences and contrivances were strained enough the first time, but it only gets worse as more and more characters have to be drawn into a badly uncohesive plot.

What I liked about the first season was the development of Hiro from a scarcely comprehensible desk-jockey into someone that could almost be confused for a badass geek.  Now Hiro has disappeared 500+ years into the past and we’re left with Peter (who makes Keanu Reeves look like a thespian) and a bunch of characters that have added virtually nothing to what the show has already done.   Add the crazy contrivances that Davis listed here and you get a show that’s at least half a season past watchable.  Unfortunately, it looks like the creator doesn’t have a clue what’s wrong.

No responses yet

Sep 17 2008

Wired Ranks the 7 Worst Superhero Names

Published by B. Mac under Superheroes

I’m pleased that they didn’t miss She-Hulk.  You can see the follow-up article here.

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Sep 05 2008

John August on Coincidences in Fiction

Published by B. Mac under Heroes, Plotting, Writing Articles

John August did a post on writing a plot that isn’t contrived.  He focused on the role of coincidence. I found it highly useful…

Given a choice, try to find cause and effect. One event happens because of something else we’ve seen — ideally, something the hero himself has done.

Instead of having the hero accidentally overhear a key conversation, get him actively trying to listen. Or have an interested third party steer him in that direction — perhaps for his own reasons. At every juncture where a reader could ask “Why did that happen?”, try to have an answer that isn’t, “just because.”

CADET DAVIS ADDS: The most contrived plot I can think of is Heroes season 2.  Please consider the following…

  1. In the last two minutes of the first season, Sylar is nearly killed by a crowd of ten heroes but somehow slinks away into a sewer.  No one, including a psychopathic MPD victim or the police officer who was seriously wounded by Sylar, thinks to make sure that he’s dead or otherwise accounted for.
  2. The Company captures Sylar and keeps the formerly-superpowered serial killer in a zero-security facility with a single attendant that is tasked with restoring Sylar’s powers. There’s no reason to suspect that Sylar would have made a good employee under any circumstances, but how were they hoping that this would turn out?
  3. Sylar kills the attendant and walks out of the facility.  He tries to return to the US to find Suresh, but he drops of famine along the side of the road.  The first person to come across him is Maya, another superpowered person that’s looking for Dr. Suresh’s father.  What a lucky break!  Sure, why not come along?
  4. In spite of being wanted for murder and presumably not wanting to attract suspicion, Maya and her brother take Sylar along.  Do not pay attention to the gringo in the back seat!
  5. Peter’s failure to consider the possibility that Adam is evil starts out as implausible and gets so unbelievable that it strains the suspension of disbelief.  Peter knows the following facts:  The Company has held the virus for 30+ years without using it.  Shortly after Adam escapes, the virus is unleashed.  If you’re wondering whether Adam’s escape is related to the release of the virus, you’re already 5 episodes smarter than Peter.

2 responses so far

Aug 29 2008

Webcomic 17: It Wore a Top Hat

Published by B. Mac under Comic Books, Superheroes, Webcomic

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2 responses so far

Aug 25 2008

Webcomic 16: The Prestigigator

Published by B. Mac under Comedy, Superheroes, Webcomic

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One response so far

Aug 22 2008

Webcomic Issue #15: Just Married?

Published by B. Mac under Comedy, Superheroes, Webcomic

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Aug 04 2008

Webcomic #14: Obscene Amenities and Other Occupational Incentives

Published by J. Mallow under Comedy, Superheroes, Webcomic

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No responses yet

Jul 18 2008

Webcomic Issue #9: Maybe This is Why Delivery Rooms are a Reptile-Free Zone

Published by J. Mallow under Comedy, Superheroes

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One response so far

Jul 12 2008

Webcomic Issue #7: Black’s First Assignment

Published by J. Mallow under Comedy, Superheroes, Webcomic

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No responses yet

Jul 09 2008

Webcomic #6: What’s in a Name? (Usually Not ‘Certain Death’)

Published by J. Mallow under Comedy, Superheroes, Webcomic

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One response so far

Jul 04 2008

Webcomic Issue #4: Jim’s Gunz ‘n Mattresses

Published by B. Mac under Comedy, Comic Books, Superheroes, Webcomic

Have a happy 4th of July!

FIRST COMICPREVIOUS COMICNEXT COMIC

FIRST COMICPREVIOUS COMICNEXT COMIC

Comic Rank

One response so far

Jul 03 2008

Mulling Over a New Introduction

I submitted a potential rewrite of our introduction to the Critters Writing Workshop. It’s very short (2 pages) and I expect that we’ll eventually expand it to about 5. Currently, it’s rated PG-13 for adult language, but we’re considering modifying it to PG.

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Jul 02 2008

Season 3 of Heroes will have MORE characters!

The creator of Heroes, Tim Kring, has promised that season 3 will have more villains. Yes, more characters… that’s exactly what Heroes needed.

“You’re going to see a lot of bad guys,” he said to Sci Fi Wire. “We’re playing off the idea of our characters as heroes or villains. So it’s really the duality of good and evil.” T.K., I will see your duality of good and evil and raise you character development, interesting traits and a well-rounded cast. For one, I’d start by killing off about half the cast…

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No responses yet

Jul 01 2008

Webcomic Issue #3– The American Pasttime: Slandering Georgia

Published by B. Mac under Comedy, Comic Books, Superheroes, Webcomic

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Jun 29 2008

Webcomic Issue #2: The Civilian’s Guide to Messy Business

FIRST COMICNEXT COMIC

FIRST COMICNEXT COMIC

Comic Rank

2 responses so far

May 19 2008

Featured Quote of the Day: Bring the Kids!

Agent Orange: Kids today are so hard to please.

Agent Black: I don’t even want to think about how you might know that.

Agent Orange: Yesterday…

Teacher: Class, today our guest speaker is Agent Orange.

Agent Orange: I’m a Special Investi-Gator.

Teacher: Could you explain what it is you do?

Agent Orange: Are you sure? There are kids here.

Student 1: Have you ever killed anyone?

Agent Orange: Laws need claws or they’d just be words.

Student 2: How many people have you killed?

Agent Orange: The confirmed score or a rough estimate?

Agent Black: …

Agent Black: Suddenly I have questions of my own.

One response so far

Apr 25 2008

A hard-learned lesson for superheroes…

Superheroes should never ask “are you thinking what I’m thinking?” The answer is never helpful.

But where could you find that much nitroglycerin at this hour?

Dr. Darpa

Unless your IQ has tripled since we’ve last spoken, probably not.

Catastrophe

You are now.

Mr. Mental

Don’t flatter yourself.

–Paingod

No responses yet

Apr 25 2008

Quotes of the Day: What is Science?

Science plays heavily in many superhero stories. So, today, instead of coming up with some pithy quote about science, we’ve used others to do so for us.

What is science?

Hocus pocus, but with less hand-waving.

– Agent Orange

Always being within a carton of baking soda of a doomsday device.

– Dr. Darpa

Like Hollywood, except without the beautiful women, oversized budgets and snappy outfits. Actually, it’s not like Hollywood at all, besides the explosions.

–Dr. Savant

A series of triumphs over unpleasant realities.

– Jacob Mallow

Pretty awful. Stick to game theory.

– Catastrophe

No responses yet

Apr 06 2008

Scene of the Day (B. Mac’s Temporary Return!)

B. Mac gave me this to post. He says he will be healthy enough to return to full-time status within a few days.

Agent White, junior recruiter: Mr. Smith, I have no doubt that you are an excellent IRS auditor, but I’d like to know more about how an accountant might be qualified for this agency. What about killing. Have you done any of that?

Gary Smith: No, sir.

Agent White: Have you ever seen someone die brutally? A de-limbing, perhaps?

Gary Smith: No, sir.

Agent White: I see. You seem like an excellent fit… for the IRS. I’m going to do you a favor and ask that you leave now. You would break in ten minutes here and you probably wouldn’t even be the first.

Gary Smith: …

Gary Smith: Is that a request or an order?

Agent White: …

Agent White hits his intercom button.

Agent White: Agent Orange, could you step inside, please?

Agent Orange, a hulking mutated alligator, enters the room.

Agent Orange: Greetings, mammals! Mammal-White, Mammal-Smith.

Agent White: Sir, could you please describe to Mr. Smith what your job is here?

Agent Orange: Indeed! I’m the head recruiter and trainer. I determine who enters training and then how best to systematically destroy them. We’ve reduced our mortality/psychosis rate to a historically low 6%!

Agent White: Mr. Smith, so far Agent Orange has broken six Navy SEALS, five Force Recons, ten Army Rangers and so many Special Agents we’ve stopped counting.

Gary Smith: But no accountants, I bet.

Agent Orange: …

Agent Orange: When are you available to start?

No responses yet

Apr 05 2008

Agent Orange, on Agent Black

“I only gradually realized that Gary Smith was wily for a mammal. That should have been obvious. He was an accountant and, as a rule, accountant-mammals are masters of chicanery and deception. (That is why they, like lawyers and journalists, receive graduate degrees: it takes years to learn the arts of subterfuge).”

–Agent Orange

No responses yet

Apr 01 2008

The Best of Agent Orange

Hey! I’ve revised and updated Agent Orange’s quotes. (You can see the old one here, but it’s harder to read and the quotes are worse). Enjoy.

orangequotesfinalized-copy.jpg

2 responses so far

Mar 20 2008

New Year’s Resolution Madness: Assessing Bounce Rates in Online Novels

If you are interested in the mechanics of making an online novel work, you may find this interesting.

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2 responses so far

Jan 31 2008

Schedule of the Day

One of the Google searches that brought someone to Superhero Nation was “what do alligators do all day?” Agent Orange, our resident mutated alligator, provides his daily schedule.

1 AM: I respond to a WMD scare in Surf City. (It was just a death ray).

2: A purported representative of the British government calls, asking for urgent help “to stop an impending act of anti-supervillain activity.” Terrorist! I hang up.

2:30: Britain reports that Doctour Nefarious just carried out “anti-supervillain activity” at Big Ben. The reports don’t mention which supervillain he acted against, but I’m betting Jihad Joe or Paingod.

2:35: I call the Ministry of Defense and ask them to pass along my congratulations to Nefarious for turning on his evil compatriots. They swore and hung up on me. (And they wonder why we declared independence).

3: A genetically-engineered slime monster attacks Surf City. Dr. Darpa suggests that a salt-spray will kill it, but he doesn’t mention that salting it will send slime shooting for blocks in every direction.

3:10: Showering.

3:30: Still showering.

3:45: I get dressed. I’m feeling dangerous today, so I reach for a black tie instead of my usual navy blue.

4: I brush my teeth. (Yeah, I brush my teeth, too—it just takes more time).

4:30: Still brushing.

4:45: I check my voice-mail. IRS Agent Percy Leguin called again to complain that the Office of Special Investigations is doing too much “showboating,” by which he means investigating crime that Americans actually care about. The bitch insinuates that OSI agents couldn’t handle IRS work.

5: A citizen that incorrectly filled out a 1040-DX Schedule ECQ gets a very special no-knock home visit about why filling out a proper 1040-DK Schedule FIS is important. I’m sure it’s a mistake he won’t make again.

6: Downstairs, I encounter Agent Black and Captain Carnage discussing female-mammals. For reasons unclear to me, talking about mammalian matters makes Agent Black pathologically forgetful. Unsurprisingly, as soon as he sees me, Black mentions that he’s forgotten his ammo. When I offer to go find some for him, he smiles. (I’m so helpful).

6:30– I come back with the ammo, but Black’s gone. (Mammals). I’ll find him later.

7– As part of the ongoing Friendly Skies program, I get a free ticket to New York. Having a uniformed federal agent on a plane tends to terrify mammals, so I just told anyone within earshot that I was just scamming a first-class ticket. That calms them down considerably. (Mammals).

7:45– Mike is also on the plane with me! He is conspicuously surly and says that “I’m going to carpet-bomb your neural nodes if you ask about the Gators game again.” I don’t remember having spoken to the mind-wiper earlier today. I decide that until Mike gets unsurly, he doesn’t deserve to talk about the Gators.

8– On my way to the office, I stumble upon two gunmen attempting to rob a Caribou Coffee. They are not successful.

8:05– Waiting for NYPD.

8:10– Still waiting.

8:15– I assume that I’ll be here a while. I ask the cashier which species of caribou they have on hand. I’m especially partial to Rocky Mountain caribou, but even Alaskan elk are better than whatever else you can find in New York.

8:17– The cashier admits to me that Caribou Coffee does not actually sell caribou. I make a note to inform the Better Business Bureau of bait-and-switch advertising– they lure in unsuspecting customers with promises of caribou and then sell them coffee instead. (Mammals). Two NYPD officers walk in; I trust that they will take care of this criminal cesspool of deception and lies.

8:45– I reach the local police station and start filling out paperwork related to the coffeeshop arrest.

10– Still paperworking.

10:30– A detective asks me if I’d like some coffee or something. Unless coffee means caribou, no.

10:45– A captain interrupts me. Space slugs are clogging the Hudson again. I tell him that I’m still doing paperwork, but he calls my bluff by offering to handle the paperwork himself. I ask which way it is to the Hudson.

10:55—Goddamn. This was a new suit.

11: I walk down to the Office’s New York branch. Raul, our lobby guard, starts quizzing me with questions designed to weed out potential shapeshifters.

11:05: “Raul, I am coated in slug slime. Let me in immediately or you will regret it. “What does the 5th amendment say, sir?” “Here’s the abridged version. No person shall be deprived of life or limb without due process of law. Without due process, Raul.” He lets me in.

11:45– Still showering.

12 PM: The University of Florida calls. They want help creating a tagline for Albert the Florida Gator’s new clothing line. They like “Prepare to Get Swamped” but think that “Chomping Your Ass Since 1908” sends mixed messages.

12:15: They don’t like “Be a Gator, Not a Hater” either.

12:30—I walk down to the cafeteria and find… Agent Black! I hand him his ammo. He gives me a confused look. He has not only forgotten his ammo, he has forgotten that he has forgotten it. I swear! He’d forget his tail if he had one.

12:35—“He’d forget his tail if he had one.” Aha! I’ve stumbled onto the reason that Agent Black doesn’t have one.

One response so far

Jan 29 2008

Heroes got sued

Published by B. Mac under Commentary, Heroes

The gist of the lawsuit is that Heroes supposedly ripped off a preexisting plotline that where an artist painted the future and included the (possible) destruction of two New York City landmarks.

If this lawsuit works out, I’m going to sue every romance publisher because they’ve all ripped off a story I wrote last year where a guy and a girl struggle through adversity and finally get together.

(Wait a minute…)

I’m not sure I can think of a superhero story set in the real world where a New York landmark isn’t endangered. In fact, superhero stories are probably more likely to endanger NYC landmarks than romances are to show guys and girls getting together, because some romances are tragedies).

As as for the supposed ripping-off of a superpower (painting the future), again pretty much every superpower is a direct and blatant ripoff of something that’s already been used. Some of the superpowers used on Heroes are…

  1. Superstrength

  2. Regeneration

  3. Flying

  4. Mind-reading

  5. Time-travel

Groundbreaking stuff there!

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Jan 28 2008

Comic Book Glossary

This is a glossary of terms related to comic books. (See the Superhero Nation-specific glossary here).

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Jan 26 2008

Wait a minute! (Story generators make me feel stupid)

 

I’ve been using some random story generators. Usually I like laughing at how strange these get, but almost invariably I get something that’s uncannily like my writing and it makes me feel bad. The worst is that it usually starts off far enough away that you can laugh at it, but then it inches more and more towards Superhero Nation.

 

The story is about a secret agent who is in debt to an artificial life form. It starts in a large nation on a war-scarred planet. The story begins with someone giving a test and ends with smuggling. The side effects of faster-than-light travel play a major role in the story.

 

This is an action adventure. The story is about a crazed football fan who is actually an alien entity. It starts on a dying planet. The issues surrounding first-contact with an alien species is a major element of the story.

The story is a screwball comedy about a secret agent who is best friends with an investor. It starts in a solar-system-spanning nation. The effect of technology on humanity is a major element of the story.

This is a tale about confusion. The story is about a lawman. It takes place in a global empire [hey!]. The story begins with someone questioning authority.

 

This is a story about questing. The story is about a starship security agent and a dispirited CFO [close enough]. It starts in a solar-system-spanning technocracy. The story ends with someone writing a book.

 

Writing Challenge Generators

 

The story is set in a ghetto. The story takes place ten years in the past. The story must have a drug cartel involved in the middle. The story must have a cube appear in the end. A character robs someone.

(What do you think this is, Everybody Dies?).

 

Character Generators

 

Note: not all of these are gramatically correct. Deal with it!

 

The upper-class fop is on the run from a government conspiracy run by wacky but innocent football players. [Lash].

 

The rare good member of an otherwise irredeemably violent race somehow manages to be a superhero. [Agent Orange]

 

The morally ambiguous brilliant scientist is driven insane by their strange powers and needs a friendly alien to find meaning. [Jacob Mallow]

 

The wacky yet emotionally detached chemist who is given superhuman powers in an illegal scientific experiment and is just this side of crazy [Dr. Berkeley/Catastrophe]

 

The philosopher is a secret horror in the shadows of society that works as an assassin against The Man. [Gigas]

 

The loveable cop meddles in things Man was not meant to know. [Agent Black]

 

The gung-ho military officer is forced by a government conspiracy to only pretend to be incompetent. [Captain Carnage]

 

The beautiful nerd girl no one notices because she has glasses who is a softy at heart and whose scientific endeavors have guided the heroes on their quest with weapons of mass destruction. [Dr. Darpa]

 

 

The friendly bureaucrat acts as an assassin against the forces of darkness. [Nope. But I'm thinking about it now.]

 

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Jan 21 2008

Peter Parker deals with the devil? What the hell were they thinking?

I’ve written before that you have to keep the level of unusualness in your stories steady or things will feel really weird. Case in point: Peter Parker breaks up with Mary Jane. After making a pact with Mephisto. Who brings back Aunt May and Harry Osborn. (No word yet on whether Peter actually is a clone this time around).

There are a few ways to interpret this:

  1. Marvel admits it really screwed the pooch when they outed Spiderman during Civil War. Trying to fit Spiderman into a Fantastic Four-sized hole was not well thought-out.

  2. Marvel has decided it isn’t done screwing the pooch. There’s no other industry where companies feel the need to dilute their good products with their crap products*. Spiderman, meet Mephisto.

The Ubyssey suggests that Quesada was the main cause.

Joe Quesada, editor-in-chief of Marvel, had long been an opponent of Spider-Man’s marriage. A married Spider-Man, Joe felt, restricted the kind of stories that could be told. A single swinging Spidey, however, was free to “have sex and download porn.” Now, a simple divorce would have sufficed, and could reasonably be explained. But this, Quesada felt, would tarnish Peter’s status as a role model for kids.

If the Ubyssey is even remotely close on this, we can safely say that Marvel may actually be the worst-run entertainment company around.

  1. Unless Peter gets single, we can’t write stories where he can “have sex and download porn.”
  2. But a divorce would tarnish Peter’s status as a role model.
  3. Let’s have him make a pact with the devil instead.

Admittedly, things are different in NYC than Indiana or South Carolina, but that’s just ridiculous.

*”There’s no other industry where companies dilute their good products with their crap products.” To some extent that’s hyperbole. Each new Star Fox game discredits the Nintendo brand as a whole. But at least Nintendo doesn’t force Star Fox plotlines on its actually good franchises.

No responses yet

Jan 20 2008

Common Superpower Problems

If you’re writing a superhero story, don’t let your superpowers fall into these traps.

1. The hero’s powers can’t be used creatively. Readers really want to be surprised, so it’s very important that the powers be versatile. If your character is only superstrong, you can only surprise them by using different things as weapons.  That gets tedious fast. (Watch a Superman or Dragon Ball Z fight scene). Test your superhero against some of these situations. Can he get through them in an unexpected way?

  • Distracting a guard.  (Cliche:  mental control, illusions and possibly telekinesis).
  • Nonviolently subduing a guard or cop (cliche:  mental control and/or hypnosis).
  • Preventing a building from falling (cliche:  superstrength, telekinesis).
  • Getting past a locked door (cliche:  teleportation, phasing, lockpicks, blowing open the wall).
  • Finding a password (cliche: anything electronic or electrical, beating it out of a bad guy).

2. The character’s limits are hard to grasp. In Heroes, a head wound will permanently kill the regenerating heroes, but a nuclear explosion won’t.  Huh?

3. The character’s strength fluctuates arbitrarily. Most Superman cartoons feature two battles. Superman will lose the first bout (to raise the stakes) but he’ll win the second.  He hasn’t gotten any stronger, so why does he wins the second time? That usually feels unsatisfying.

4. The superpowers are hard to understand. Ideally, you can explain each hero’s powers in a brief sentence.  “He has spider-powers, like slinging webs and climbing and sensing danger” is OK.  “She can control the weather” is even better.  Please stay away from heroes that have many unrelated superpowers.  What’s the connection between eye-beams, cold breath, flight, superstrength and x-ray vision?  It sort of works for Superman because readers are exposed to him, but it is likely to ruin a superhero story that is completely new to its readers.

5. He’s overpowered. Superman is the best example of this. He can only have interesting fights with supervillains. (Theoretically, he could fight thugs armed with kryptonite, but Superman limping around isn’t much of a fight). If your character is completely immune to bullets and other common weapons, it will be hard for you to challenge him.  Also, humans are vulnerable and we relate more to (somewhat) vulnerable heroes.

6. The hero’s superpowers ruin the drama. In particular, time travel, reading minds, erasing memories, and resurrection are particularly bad here.

  • Time travel:  if your hero can undo anything bad that happens, nothing will ever be dramatic.  “Why doesn’t he just go back in time?”
  • Reading minds: surprise, suspicion and uncertainty are all dramatic.  A story about a psychic is all-but-unable to use any of them.  (To some extent, lie-detection suffers from a similar problem).
  • Erasing memories:  this is probably the lamest way to protect a secret identity.  It will also confuse readers because we can’t keep track of who actually remembers what.
  • Resurrection:  if someone can bring people back from the dead, death will become banal and the action will suffer.  “He died, big deal.  Why don’t they just bring him back?”  This is almost as serious as time-travel.

Did you like this article? If so, please do me a favor and share it on Stumble.

42 responses so far

Jan 18 2008

Politics Meets Comic Books, Part ???

Which Batman villain is your candidate like?  Find out at

http://www.youtube.com/watch?v=AwiXzjVZ-8U .

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Jan 14 2008

Five Ways to Write Sizzling Fight Scenes (Superhero and Fantasy)

This article will teach you how to get the girl and save the world in 400 words.

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117 responses so far

Jan 10 2008

Quote of the Day (1/10/08)

Agent Orange:  At the Office of Special Investigations, “Chariots of Fire” isn’t just a classic
film.  It’s also the name of our driving school.

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Jan 08 2008

Superhero Nation: The Movie

It’ll have ridiculously confusing time travel, wholly implausible use of a space station as a doomsday device, and more national landmarks than you can shake a standard-issue NASA laser pistol at. But Hollywood will want a name that can appeal to a global market. I’ll call it… Planet of the Capes.

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Jan 05 2008

Common Problems with Powersuited Superheroes

Are you writing a novel or comic book about a powersuited hero, like Iron Man or Steel? Powersuit stories often suffer from the following problems, many of which are easy-to-fix.

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7 responses so far

Jan 05 2008

6 Common Problems with Superstrong Superheroes

Beat’em-up superheroes like the Hulk and Superman often suffer from these six problems.

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6 responses so far

Jan 05 2008

Seven Common Problems with Psychic Characters

Writing a novel or comic book about a psychic character? Stories about psychic characters often suffer from the following seven problems.

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136 responses so far

Jan 03 2008

9 Easy-to-Fix Problems with Superhero Design

This article will help you design your superhero’s appearance for a comic book or novel cover-art. No matter what your style is, you can avoid these 9 mistakes that cause a superhero’s appearance to sink the story.

Common Flaws of Superhero Appearances

  1. The character’s appearance lacks a distinct theme.
  2. The character looks lifeless.
  3. He looks unrelatable.
  4. His appearance is inconsistent with his personality.
  5. His appearance is inconsistent with the story’s mood.
  6. His costume is too campy or demeaning.
  7. His appearance makes his secret identity implausible.
  8. The details of his appearance are inconsistent.
  9. He has too many accessories.

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93 responses so far

Jan 01 2008

Football Updates

No one on the Superhero Nation editorial board is pleased with the way football has gone this year.

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Dec 31 2007

Quote of the Day: Mike-Catastrophe Part 4

Mike: You’re positive you’re not an alien?

Catastrophe: Do aliens frequently speak fluent English?

Mike: Decryption programs applied to radio transmissions can do surprising things.

Catastrophe: I was checking football club rankings when you found me. Unless aliens are frequently interested in football…

Mike: You’d be surprised. You follow football?

Catastrophe: Sometimes. There aren’t any good teams around here.

Mike: Name three.

Catastrophe: Good teams? Arsenal, Man U and Newcastle.

Mike: Please. If you ever need to make up sports teams in the future, I recommend going with animal names, not randomly selected adjectives and nouns. “New castle?” “Man you?” That doesn’t even make sense!

Catastrophe: …

Catastrophe: You don’t get out much, do you?

This is the final part of a four part series. You can see part 1 here.

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Dec 29 2007

Conversation of the Day: Mike-Catastrophe Part 2

Mike: We have a non-optional orientation program for aliens. This is very simple. If anyone asks, say that you’re not an alien.

Catastrophe: I’m a cartoon character.

Mike: That was easy, wasn’t it?

Catastrophe: …

Catastrophe: Wait. There are aliens on Earth?

Mike: Uhh… no?

 

This is part II of a four part conversation. You can see part 1 here or part 3 here.

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Dec 29 2007

Transformation/Nonhuman Characters Questionnaire

Questions Related to Total Physical Transformations

In Superhero Nation, one of the characters gets his body turned into Katastrofy (damn anime spelling), one of the villains on the hit cartoon show Hegemon. (“Gotta kill ‘em all!”) Some of these questions may also prove useful if you’d like to write a nonhuman character and are wondering how bystanders in your story should react to him.

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11 responses so far

Dec 28 2007

Amusing Links

Agent Orange presents his link of the day and a related public service announcement for crocodile-Americans.

The Annals of Crocodile Failures, 94th Edition

Lions, buffaloes and crocodiles do battle for control of a Kenyan wildlife refuge. This film is rated PG… Pretty Gruesome. The crocodiles make their inglorious appearance at 3:30, but they’re so ineffective that the (mammalian) commentators only notice them at 3:38. Unless you enjoy watching lions play two crocodiles silly, I recommend skipping ahead to 4:30, which is when things get rowdy on the land. “They’ve got ‘em surrounded” (5:45). I also enjoyed the sudden appearance of Superlion– he flies– at 5:45.
6:30 is outlandish and further indicates how completely pathetic the crocodiles were in their brief appearance. Any creature that is unable to cripple a baby buffalo is hereby banished from the reptile class. Experts at Palomar University, one of the world’s leading reptological institutions, have found that:

The class Reptilia [Reptiles*] includes turtles, snakes, lizards, alligators**, and other large reptiles…

Let’s face it, crocodiles: even turtles and snakes*** count as reptiles. But not you*. (Don’t snicker too hard, mammals… the lions did not make a persuasive case for your phylum).

Not to fear, crocodiles: although you are no longer reptiles, you may technically qualify as amphibians****. However, both mammals and reptiles will remain ashamed to share a subphylum with you.

Tailnotes

*clarified for the benefit of crocodiles. Not that I think it will help.

**Unsurprisingly, saving the best for last. Incidentally, 99 % of reptologists agree that alligators > lizards > snakes > amoeba > crocodiles. As for the last 1%, if you are ever so horrifically unfortunate to find one of them, escape quickly. (Even if you’re a mammal—it’s not worth finding out if it can spread across species). Say whatever you need to. “I need to sharpen my claws (fingernails)” or “my scales (skin) require polishing.”

***Crocodile sympathizers may dispute that snakes are more worthy of the reptilian name than crocodiles. And we can speculate about the psychological disorders that might prod them to do so. But the fact remains that snakes can eat hippos (not for the squeamish). And, furthermore, snakes have their own baseball team, with which I am not familiar, and dominate a city with which I am.

****Assuming they’ll have you. Don’t hold your breath.

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