In the Deadpool trailer, Ryan Reynolds’ character takes a shot at his last superhero movie, Green Lantern. I predict that it’ll actually do even worse critically than GL did (26% on Rotten Tomatoes). His movies (e.g. Green Lantern and RIPD) tend to be fanatically committed to comedy but have an awful record at actually being funny. For example, in the Green Lantern oath scene below, the desperate attempts at humor suck the time/space out of anything else the scene could have contributed (like character development, interesting choices/motivations, conflicts, or side-plots). DP’s trailer looks like it’s headed that way.
Examiner: “Currently no deal is in place and it is far from being a sure thing. Warner Bros. and DC have a “Justice League” script by William Beall they have sent Affleck to gauge his interest as both a director and potential star. Affleck has had a spotty acting career, including playing the Marvel hero, ‘Daredevil,’ but he has excelled as a director.”
1. Hancock’s personality and interaction with other people made for some interesting conflict. The train scene with Hancock, Ray, and the other people at the intersection is a great example of Hancock’s alienation and anti-social nature. He’s one of the few superheroes that people generally hate, as opposed to, say, Superman.
2. The mechanics of Hancock’s superpowers were very fascinating. When he kicks off the ground to propel into flight, it yanks stuff up out of the ground. His invincibility could be cliche, but was used creatively (the shaving scene was a kickass example of that). The physics behind the powers was believable. In contrast, Superman has to use special Kryptonian razor blades when he has to shave (ugh!).
3. Superheroes can commit crimes, and they can get in trouble for it. Hancock went to prison because of the way he used his powers. He had several crimes hanging over his head: aggravated assault and battery, destruction of property, reckless endangerment, and even endangering the safety of a minor (the French bully he launched into the sky). This is very refreshing—in most superhero stories where the police are antagonists, they don’t actually add significant consequences to the characters’ actions. (For example, Batman might have a chase scene or two with the police, but it rarely actually costs Batman anything).
4. Hancock’s significant other was an interesting twist, but could be confusing and contradictory. During the major fight scene with Hancock and his “wife,” she keeps screaming that she hates him, and that she’d never forgive him for what he did. What did he do? They never explain what he did, and they gave no reason for why she’d hate him. Then, in the hospital scene towards the end, she explains how he always saved her over the centuries, and how he was meant to be humanity’s hero. But didn’t you say earlier that you were faster, stronger, and smarter than him? Lady, you’re confusing me!
CNN published an article titled “Superheroes rise in tough times,” which claims that superhero stories are most popular during rough economic times. It’s a plausible theory, but the evidence suggests otherwise.
It describes an interesting phenomenon: how superhero stories can brazenly delve into political issues without turning off at least half of the audience. For example, The Dark Knight and Ironman and Team America all brought up political issues without infuriating either conservatives or liberals. In contrast, political polemicists like Michael Moore and Ann Coulter can’t even blink without angering the other side.
How is it that superhero stories can do what political writers can’t? Here are some explanations.
I feel like a marketing executive put a gun to the screenwriter’s head and said “I don’t CARE what the movie is about, put New York City, London, and Hong Kong in it. Just do that thing where the villain is trying to collect plot coupons around the world in places that happen to be […]
Den Warren, (K-Tron, Metahuman Wars) is issuing a call for 3k-5k word submissions for a superhero prose fiction anthology titled, The Supreme Archvillain Election. Each submission will be a supervillain sitting at a huge table explaining why they should be voted as the Supreme Archvillain, then they go into a story, etc. Reprint excerpts and […]
1. This movie is about as bad as Catwoman but, in Catwoman’s defense, it had okay action scenes. 2. Man of Steel particularly struggled with family dialogue. E.g. Clark’s Kryptonian parents take 3 minutes to describe their plan to send him to Earth and say their goodbyes. It’s pretty bland stuff, e.g. melodramatic intonations like […]
I spent 5 hours this week watching Man of Steel and taking 5,000 words of notes. It was like being trapped on an alien planet where the atmosphere consists 80% of characters telling Clark what incredible, grandiose things he symbolizes, 20% of daringly bad action scenes, 15% of grimly constipated expressions, and 15% of acting […]
Out of the Past is a 1947 noir thriller so brilliant I cannot do it justice. I would definitely recommend it, particularly if you’re working with… Characters Plots Accidental deaths falsely claimed as murder-suicides Double-crosses, triple-crosses, and maybe a quadruple-cross depending on how you interpret a self-defense kill with a fishing reel. A complex plot […]
1. The character introductions were lacking. Having Waller narrate the characters’ backstories to a minor character in a no-stakes infodump was probably not ideal. If Waller’s MO is that she’s ruthless and/or exploitative, would have preferred a scene with her coercing Flag to work on the project and/or why they selected these guys rather than […]
1) If you’re mainly looking for something believable, most major U.S. cities use one of the following: Surnames of VIPs, usually explorers and major political leaders (e.g. Houston, Columbus, Washington, Pittsburgh, and Jacksonville). Anglicized spellings of Native American terms, usually related to geography. E.g. Shikako (“skunk place”) -> Chicago and Myaamia (“downstream people”) -> Miami. […]