I found this Sporcle game’s mix of Shakespeare and Batman so dangerously amusing that I wanted to punch an English teacher in the face and throw him two or three stories onto the street.  Then I realized that the closest English teacher was me and I thought better of it.

PS: If you’re a long-time fan of Batman, you might remember that Adam West hid the remote control for the entrance to the Batcave inside a bust of Shakespeare.

Novelist Jami Gold has two articles about learning from the Green Lantern movie: How Not to Write Characters and How Not to Plot a Story.
 
I’d also use Green Lantern to show why scenes should usually have some transition explaining why a character goes from doing A to doing B.  One of the transitions between a scene of GL talking with his geek friend and a scene of GL talking with his love interest is the geek randomly asking “Hey, doesn’t a superhero always get the girl?”  First, the line comes out of nowhere–they hadn’t been talking about romance or the lady until the geek tossed that line out.   Second, the line probably doesn’t work well as a transition because it doesn’t create a good reason why GL would want to go talk with his love interest.
 
There are so many easy ways to switch a scene without anybody noticing the seams.  For example, the protagonist-geek conversation could have been interrupted by a phone call or a text from the love interest.  Then it would have made sense for the geek to start talking about romance and it would have given GL a good reason to talk with his love interest.  Additionally, depending on what she said in the call/text, it could have added some urgency to the impending protagonist-love interest scene.

The good news is that Warner Bros. is planning a GL sequel.  The bad news is that the preliminary box-office returns look rough enough (so far) that I do not think the sequel will survive.

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This is an update of my original survey of the average Rotten Tomatoes ranking of Marvel and DC comic book movies. The two changes are:

1. I’ve included the movies that have come out in the past year (X-Men: First Class, Thor and Green Lantern).
2. A few people thought that it would be fairer to look at only the current wave of superhero movies (starting in 2000 with X-Men).  I’ve added a section comparing both companies’ performance post-2000.

Summary

• Including the older movies, the average Rotten Tomato score was 50.2% for DC and 58.1% for Marvel.  If we look only at the modern movies, the gap narrows somewhat.  Since 2000, DC has averaged 54.8% and Marvel has averaged 59.9%.

• Marvel has been having more critical success with more series.  Since 2000, DC’s non-Batman movies have averaged 47.1%.  Since 2000, Marvel’s non-Spiderman movies have averaged 55.8% and its non-X-Men movies have averaged 56.4%.

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DC Comics announced a few changes that might be significant.  Details are sparse at the moment, but here’s what DC Comics, USA Today and the New York Times have reported.

• Every DC series will restart at issue #1 and many of the characters will be younger than they were before.  It’s less clear whether the plots will substantially change in noncosmetic ways.  The only substantial changes announced so far are that “a lot” of series are not returning, Justice League will focus more on relationships and DC will branch into genres besides pure superhero action.  “We’re going to use war comics, we have stories set in mystery and horror, we’ve got Westerns.”
• “We really want to inject new life in our characters and line. This was a chance to start, not at the beginning, but at a point where our characters are younger and the stories are being told for today’s audience.”
• DC will be digitally releasing all of its issues the same day they arrive in comic stores.
• Some titles will return and “a lot” won’t.  Most DC writers and artists are also getting shuffled around. “Series that are successful and writer/artist combinations that work well together won’t be tweaked too much.”
• The direction for the costume changes is to look more contemporary.   They’re also trying to “alter the physicality of many heroes and villains to modernize the DC Universe.”  I’m not sure what that means, but it sounds like a dangerous surgery illegal in most countries.
• “The recent emphasis on diverse characters such as lesbian superheroine Batwoman, Hispanic hero Blue Beetle and African-American adventurer Cyborg (who will be a core member of Johns and Lee’s new Justice League) also will continue.”

Judging by ratings on Rotten Tomatoes, DC movies do almost as well on average (although its bombs tend to be uniquely awful).

For the sake of convenience and clean numbers, I took the top 20 grossing movies from each publisher and then gathered their Rotten Tomato rankings, which are averages of hundreds or thousands of reviews.  (A RT ranking isn’t a perfect measure of quality, but it’s probably pretty accurate).

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Superman is a waning superhero.

In the past year, his comics have consistently been outsold by Buffy the Vampire Slayer, Flash, Green Lantern, Deadpool, and every A-list franchise.   (For example, his top-performing comic book in June 2009 placed #43 on the bestsellers list).

According to io9, even DC Comics acknowledged that the Superman movie franchise is struggling.  Superman’s latest film-outing grossed about $390 million on a production budget of $270 million.  That’s notably worse than 1996′s Batman Forever, let alone either of the two most recent Batman films.  Yes… even Joel Schumacher, the “director” that put nipples on the Batsuit, beat Superman.

Here’s how I would reboot Superman.

1.  Give him a real personality with some actual flaws. This does not mean that he has to be brooding.  (Please see Spiderman or Ironman– characters can be three-dimensional and fun!) For example, maybe he’s a bit overconfident or careless.  Even a small flaw would make him more likable and believable.

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Joel Schumacher is a director best-known for his vicious crimes against Batman, including putting nipples on the batsuit. Earlier today, I was browsing through TV Tropes and found that one of the Batman cartoons had a hilarious scene mocking Schumacher.  (The idiot in the scene is named Joel and is standing in front of a sign that says Shoemaker).

She offers some advice here.  Here’s what I took away from her article…

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