Archive for the 'Politics' Category

Jun 24 2010

Free Webinar: The Science of Facebook Marketing

I provide advice about how to write novels, comic books and graphic novels. Most of my content applies to fiction-writing in general, but I also provide articles specifically about superhero stories.

If you have a spare hour from 1-2 p.m. (Eastern Daylight Time) on Tuesday, June 29, register for Dan Zarrella’s free webinar about marketing on Facebook. Here are some of the topics he will discuss.

  • The behavior of demographic groups on Facebook
  • The sociology of the Facebook community
  • The difference between men’s and women’s interactions on Facebook
  • How to get your content shared on Facebook

One thing that I find both interesting and scary about Facebook is that its audience isn’t gathered around a single interest (like a political site) or even a group of interests (like DeviantArt).  If you’re interested in marketing a book online but aren’t web-savvy enough to make your own site, I’d highly recommend giving this a look.


No responses yet

Apr 26 2010

Is Writing Under a Pen-Name Right for You?

1. In most cases, I think that it’s probably best to ask your editor about a pseudonym after getting the offer. For one thing, it’ll reduce the chance that you make a poor first impression with a goofy-sounding pseudonym. The only time that I think that a pseudonym may be necessary prior to getting published is if the author shares a name with a celebrity. (“Who’s this guy pretending to be Steven King?”)

2. If you do use a pseudonym, please write something like “[YOUR REAL NAME], WRITING AS RODDY BARBER” on your title page. For tax reasons, the publisher has to know your real name. (Otherwise, the IRS will get surly and then everybody is screwed).

Continue Reading »

24 responses so far

Oct 10 2009

Why Women Love Vampires More Than Men?

Over at The Frisky, John DeVore speculates (careful– probably not safe for work) that vampire-lovers are disproportionately female because vampires are exotic, dangerous, mysterious and passionate.  So vampires do a better job of satisfying female wish-fulfillment (which is more about romance than violence).

In contrast, male wish-fulfillment tends to involve badass characters doing badass things (superhero stories, military action, James Bond, cops-and-robbers, etc).  Also, I don’t think that men find vampiric qualities very romantic.

All of this is probably an overgeneralization, but I think there’s some degree of truth to it.  What do you think?

25 responses so far

Aug 05 2009

Teen literature is selling quite well…

The Motley Fool reports

But what began with Harry and Hogwarts has grown into something more. Teen literature is hot. Estimates suggest the category will generate $744.3 million in revenues for U.S. publishers this year, up 13% from $659.1 million in 2008. In comparison, book retailing in general is slumping, with revenue expected to fall nearly 5% from a year ago.

Instead of trying to grab kids’ eyes as they rush past the book stacks toward the movies and music, Borders is creating an in-store boutique called Borders Ink, featuring graphic novels, manga (Japan’s homegrown style of comics), vampires, and, of course, wizards. It hopes to have as many as 90% of its superstores featuring the teen reading section by the end of the month.

This is encouraging. First, more readers generally means that publishers will have more room to take on more authors in this field. Second, diversifying comic book sales beyond comic-book stores is extremely important.  That’s especially true if you want to write for demographics that are far more likely to visit a bookstore than a comic-book store– like women, children/parents, first-time comic book readers, etc.

13 responses so far

Oct 27 2008

Our sponsors have a message for our American readers

You have 170 days to file your taxes.  Don’t be late!

Art taken from this artist at DA.

5 responses so far

Sep 05 2008

Marvel Comics: Environmentalists are the Vanguard of an Alien Invasion?

Inquiring minds will want to check out Marvel’s Secret Invasion.

I’ve never been a fan of the Skrulls, Marvel’s standard shape-shifting alien villains.  Sort of like an Atlantean invasion, aliens feel so far removed from the standard Marvel setting that the effect is campy rather than sinister.  It’s also extremely hard to write an interesting alien invasion plot.  Marvel seems to be treating this plotline like it’s novel, but the concept of a secret alien invasion is pretty tired (Invasion of the Body Snatchers, the second Wild Cards novel, Animorphs).  “Benevolent” alien invasions aren’t much better (The Day The Earth Stood Still and maybe The Happening).

I found the ads for Secret Invasion above-average, but more because the slogan “Embrace Change” is vaguely threatening and sounds like it came from a US political campaign.

Continue Reading »

One response so far

Jul 11 2008

A few questions for opinionated authors

The authors that try to present political or religious opinions usually confuse their opinions with insights. How is your message different from what people have already heard about abortion? For example, your readers have already heard many people chant “abortion is good” and “abortion is bad.” Is your story just another voice in the chorus or will it actually add something? Why will anyone care about your opinion? Do you have any unique perspective on the subject material? Do you have relevant professional or scholarly experience? Are you personally affected by the issue? Etc.

Continue Reading »

9 responses so far

Mar 13 2008

Interesting Poll Movements

The RealClearPolitics polling averages are showing that Senator Obama has lost a lot of ground to McCain recently and now fares worse than Senator Clinton in a potential matchup with Senator McCain.  Respectively, Obama and Clinton have a 1.2 and 1.5% lead over McCain.  Furthermore, Obama’s once-noticeable lead over Clinton in head-to-head polling has dropped to a virtually nonexistent 1% in the RCP average.

Going into the convention… Continue Reading »

No responses yet

Feb 09 2008

Speaking of gambling…

Since I wrote yesterday, the value of an Intrade Romney bid to win the nomination has doubled to $.08, which means a 125:1 payout if it happens. (Remember, the payout for each winning share is $10).

Continue Reading »

No responses yet

Jan 31 2008

Schedule of the Day

One of the Google searches that brought someone to Superhero Nation was “what do alligators do all day?” Agent Orange, our resident mutated alligator, provides his daily schedule.

1 AM: I respond to a WMD scare in Surf City. (It was just a death ray).

2: A purported representative of the British government calls, asking for urgent help “to stop an impending act of anti-supervillain activity.” Terrorist! I hang up.

2:30: Britain reports that Doctour Nefarious just carried out “anti-supervillain activity” at Big Ben. The reports don’t mention which supervillain he acted against, but I’m betting Jihad Joe or Paingod.

2:35: I call the Ministry of Defense and ask them to pass along my congratulations to Nefarious for turning on his evil compatriots. They swore and hung up on me. (And they wonder why we declared independence).

3: A genetically-engineered slime monster attacks Surf City. Dr. Darpa suggests that a salt-spray will kill it, but he doesn’t mention that salting it will send slime shooting for blocks in every direction.

3:10: Showering.

3:30: Still showering.

3:45: I get dressed. I’m feeling dangerous today, so I reach for a black tie instead of my usual navy blue.

4: I brush my teeth. (Yeah, I brush my teeth, too—it just takes more time).

4:30: Still brushing.

4:45: I check my voice-mail. IRS Agent Percy Leguin called again to complain that the Office of Special Investigations is doing too much “showboating,” by which he means investigating crime that Americans actually care about. The bitch insinuates that OSI agents couldn’t handle IRS work.

5: A citizen that incorrectly filled out a 1040-DX Schedule ECQ gets a very special no-knock home visit about why filling out a proper 1040-DK Schedule FIS is important. I’m sure it’s a mistake he won’t make again.

6: Downstairs, I encounter Agent Black and Captain Carnage discussing female-mammals. For reasons unclear to me, talking about mammalian matters makes Agent Black pathologically forgetful. Unsurprisingly, as soon as he sees me, Black mentions that he’s forgotten his ammo. When I offer to go find some for him, he smiles. (I’m so helpful).

6:30– I come back with the ammo, but Black’s gone. (Mammals). I’ll find him later.

7– As part of the ongoing Friendly Skies program, I get a free ticket to New York. Having a uniformed federal agent on a plane tends to terrify mammals, so I just told anyone within earshot that I was just scamming a first-class ticket. That calms them down considerably. (Mammals).

7:45– Mike is also on the plane with me! He is conspicuously surly and says that “I’m going to carpet-bomb your neural nodes if you ask about the Gators game again.” I don’t remember having spoken to the mind-wiper earlier today. I decide that until Mike gets unsurly, he doesn’t deserve to talk about the Gators.

8– On my way to the office, I stumble upon two gunmen attempting to rob a Caribou Coffee. They are not successful.

8:05– Waiting for NYPD.

8:10– Still waiting.

8:15– I assume that I’ll be here a while. I ask the cashier which species of caribou they have on hand. I’m especially partial to Rocky Mountain caribou, but even Alaskan elk are better than whatever else you can find in New York.

8:17– The cashier admits to me that Caribou Coffee does not actually sell caribou. I make a note to inform the Better Business Bureau of bait-and-switch advertising– they lure in unsuspecting customers with promises of caribou and then sell them coffee instead. (Mammals). Two NYPD officers walk in; I trust that they will take care of this criminal cesspool of deception and lies.

8:45– I reach the local police station and start filling out paperwork related to the coffeeshop arrest.

10– Still paperworking.

10:30– A detective asks me if I’d like some coffee or something. Unless coffee means caribou, no.

10:45– A captain interrupts me. Space slugs are clogging the Hudson again. I tell him that I’m still doing paperwork, but he calls my bluff by offering to handle the paperwork himself. I ask which way it is to the Hudson.

10:55—Goddamn. This was a new suit.

11: I walk down to the Office’s New York branch. Raul, our lobby guard, starts quizzing me with questions designed to weed out potential shapeshifters.

11:05: “Raul, I am coated in slug slime. Let me in immediately or you will regret it. “What does the 5th amendment say, sir?” “Here’s the abridged version. No person shall be deprived of life or limb without due process of law. Without due process, Raul.” He lets me in.

11:45– Still showering.

12 PM: The University of Florida calls. They want help creating a tagline for Albert the Florida Gator’s new clothing line. They like “Prepare to Get Swamped” but think that “Chomping Your Ass Since 1908” sends mixed messages.

12:15: They don’t like “Be a Gator, Not a Hater” either.

12:30—I walk down to the cafeteria and find… Agent Black! I hand him his ammo. He gives me a confused look. He has not only forgotten his ammo, he has forgotten that he has forgotten it. I swear! He’d forget his tail if he had one.

12:35—“He’d forget his tail if he had one.” Aha! I’ve stumbled onto the reason that Agent Black doesn’t have one.

4 responses so far

Jan 20 2008

Quote Set of the Day (January 20)

It is my ambition to say in ten sentences what others say in a whole book.

–Friedrich Nietzsche

I save the day by wasting many, proving reptilian awesomeness. There, I only needed ten words.

–Agent Orange

You’re despicable.

–The Superhero Nation writing staff

No responses yet

Jan 04 2008

Characteristics of the Day

Published by under political science

  1. He’s a few blast-caps short of a detonation.
  2. He’s like the R.L. Stine of political scientists.
  3. He’s a few receivers short of a spread.

No responses yet

Jan 01 2008

Joke of the Day: 1/1/08

Why are peace talks held at summits?  Because things can only go downhill from there.

No responses yet

Nov 27 2007

Black Superheroes and Writing Fiction About Racism

ABC did a story called Why Black Superheroes Succeed– and Fail. That’s interesting for whites writing black characters (or vice versa) or those wondering why some characters are popular and others aren’t.

I think black superheroes tend to fail because they get typecast as persecuted heroes. Even the article confuses two very separate ideas.

  1. The article’s first sentence: “Would Spider-Man be the box-office juggernaut he is today if he had been created as an African-American character?” All other things being equal, would a successful hero become unsuccessful if he is made black?
  2. The article’s second sentence: “What if Peter Parker had had to deal with the problems of being black in America in addition to adjusting to his powers when he was first introduced in 1962?” Would a successful hero become unsuccessful if white-on-black persecution were inserted into his plotline?

These two questions are very different! The second implicitly assumes that a black hero must face white-on-black persecution, which probably makes less sense now than it did in 1962. And, regardless of whether it is plausible that every black is persecuted by whites, persecution stories are usually depressing (particularly when the persecution is based on real-life events, rather than hating mutants or Muggles). Making the hero the victim of persecution changes the tone of the plot far more than just making him black.

Do black heroes have to be persecuted? I don’t think so. Most young people, especially, haven’t lived with the intense and highly visible racism of the 1960s, but the comics industry doesn’t seem to have caught on to that. Plot elements that were commonplace (or at least plausible) fifty years ago, like racial violence and particularly caustic racist remarks, often seem outlandishly cynical now.

If you do focus on racism, I recommend using elements of racism that are likelier to resonate with your readers circa now. People might step away in hallways and elevators or sit at different tables in cafeterias—I think that most readers would agree that’s how racism manifests right now more than, say, burning crosses and even racial slurs. More provocatively, someone might suggest that a minority has gotten where he is because of affirmative action or that affirmative action hires as a whole are less qualified than other employees. Bank guards might get antsy. Etc. (For some more manifestations of modern racism, please see the footnotes).

The point is that modern racism has become subconscious—I suspect that most racists genuinely believe that they aren’t— and that portraying racism as in-your-face, 1960s slurs will likely feel out of touch and preachy to your readers.

When I watched Crash, I laughed so hard when a car crash caused people to immediately start screaming slurs. Wouldn’t you, uhh, want to get their insurance information first? NO CUZ KKKALIFORNIA IZ RACIST. Crash wants to Make A Point and comes off as totally cartoonish.

Freedom Writers portrays a racially balkanized community much more plausibly.

If you feel the need to include intense racism in your work—something that will significantly affect the tone and marketability of your piece—Freedom Writers offers a pretty good model. It treats racism more seriously.

  1. FW is set in a school district with some really poor areas. Meeting basic, everyday needs is a struggle.
  2. Gangs and ghettos form as an attempt to form communities to meet those needs.
  3. Intense, Hobbesian struggles and racism arise as the communities clash.

FW suggests that racism arises from economics*. That offers FW’s world a sort of grim, perverse logic. FW’s world is deep—you see where the racism came from and why it is so damn hard to overcome. Readers understand economic motives and how much money matters, especially if you have very little. Readers won’t sympathize with race-based gangs, but they will appreciate that tolerance is a harder choice than they thought. That raises the stakes and makes the heroes larger-than-life.

In Crash, racism just sprouted from nowhere and persists despite economic concerns. Insulting someone rather than getting their insurance information is irrational. Furthermore, the story offers no explanation why the characters would think it’s rational. Why are characters intolerant? Because they’re emotional, maybe. That seems flimsy and unsatisfying. It also gives the story an arbitrary feel– the characters couldn’t overcome racism at the story’s start, so how are they able to at the end? It would feel much more logical if we knew why racism was a problem at the start.

Footnotes

*Although some sociologists do agree with Freedom Writers that racism is primarily rooted in economics, they’re in the minority. But that doesn’t matter– Freedom Writers feels coherent and plausible anyway.  99% of your audience has no idea what most sociologists think, so it’s the feeling that matters.

More modern racism

For the purposes of helping you write, I’ll broadly define racism as anything that might create discomfort or division along racial lines.

1) Affirmative action. I actually already mentioned this before, but I think it’s particularly useful because blacks and whites often strongly disagree not only about AA but about which statements/opinions about AA are socially acceptable. For example, in one class a white student discussing AA made the (not extremely controversial?) assertion that race influences faculty hiring decisions. This offended the black professor, who may have thought that the white was insinuating he was less qualified. The professor asked, “do you think I was hired because I’m black?” The white was taken aback by that point-black, personal question about what he probably perceived to be an impersonal, general statement. He said that he thinks that the professor’s being black was a factor.

As the author, you could paint this a few ways. Maybe the student is wrong to treat the issue impersonally, maybe the professor was being oversensitive, or that there’s just a gap in understanding between the white and the black that doesn’t suggest anything negative about either.

2) Whites saying “sup” to black peers. In terms of awkward hilarity, this is one of my favorites. Whites often feel pressured to act differently with blacks. You might chalk this up to insensitivity and/or oversensitivity. Saying “sup” probably isn’t sinister, but it may create tension because the black knows that the white is acting differently because he’s talking to a black. In a related example (one I can hopefully offer without making a political point), Hillary Clinton once adopted a painfully bad drawl when speaking before a black audience.

3) Subways, trains and buses. I’ve noticed that people (including nonwhites) strongly prefer to sit by people of the same race. Visual media, like comic books, have some fantastic opportunities for some grim humor by showing a black (or white?) sitting alone in a crowded bus like he has leprosy or something. However, I’ve never seen anyone change seats to specifically move away from someone of a different race.

4) The assumption that whites and blacks have substantially different skills, traits or tastes.

14 responses so far