Dec 08 2009
New Category: Origin Stories
I realized that I have several articles on origin stories, so I’ve made a new category for them.
Dec 08 2009
I realized that I have several articles on origin stories, so I’ve made a new category for them.
Nov 05 2008
Occasionally, an author will breathlessly offer some revelation about a character’s origin. (Luke and Leia are siblings! Sylar is actually a Petrelli! That mysterious old man is actually a god!) Secret origin stories are rarely effective. If you’re doing a secret origin, here are the biggest potential concerns. If you can avoid these, I think the secret has promise.
Oct 09 2008
Yet Another Comics Blog argues that origin stories are mostly a distraction from the real action.
The origin is not the interesting story; it’s background information. If the information in the origin is important to the story you’re telling, then you can go back later and fill in for the reader. But don’t start with an issues-long origin…
Think of all the good genre movies you’ve ever seen. How many begin with a long origin sequence? Did Raiders of the Lost Ark start with 45 minutes of young Indiana Jones getting his PhD in archaeology? Did Star Wars begin with the origin of Darth Vader?
I disagree. A character is usually the most human and relatable during his origin story. Additionally, for most superheroes they also provide an irreplaceable opportunity to introduce the audience to the character. For example, an author couldn’t explain who Spiderman is without showing why his uncle died.
Also, Star Wars did not begin with the origin of Darth Vader, but it did explain Luke’s origin at length. Over the course of three movies we saw a farmboy grow into the savior of the universe. It worked quite effectively. I’d also venture that the first Matrix movie benefitted from Neo’s origin story. If it had started with Neo after he had been released from the Matrix, it would have been horribly confusing.
The author praises Batman but criticizes Spiderman and Superman for spending too much time on origin. But these are exceptional cases. Usually, the audience is completely new to the backstory. If so, then explaining the character’s origin is probably essential to introducing the audience to the world and/or the character.
Sep 24 2008
One of our Google queries today was “can radiation give you superpowers?”
No. However, if you’re writing a superhero story, that doesn’t matter! Your readers will accept that tropes like radiation can give someone superpowers, so radiation makes for a completely plausible origin story. Except for intense training, it’s not like there’s any better alternative. (In real life, one drug addict somehow enhanced his sense of smell to canine-like levels, but he only lasted a few weeks. Also, for obvious reasons, narcotics do not typically work well for superhero origin stories).
Here are some other origin stories that readers have generally come to accept.
Typically, plausible origin stories tend to be scientific. Fortunately, you don’t have to have a strong grasp of scientific research to write a compelling origin story. Generally speaking, modern scientific research in fields like genetics is conducted by large teams of scientists that spend years on each project and have access to large budgets. If you’re writing a superhero story, your readers will almost always accept that a single supergenius can perform unimaginable feats of science. Reed Richards is apparently a world-class researcher in every branch of science, and he’s able to instantaneously solve problems that would probably take a real team of scientists decades.
Here are some other (incorrect) assessments of modern science that readers will usually accept.
May 29 2008
Here are a few tips to help you write better origin stories for characters in superhero novels and comic books. Continue Reading »