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	<title>Comments on: An In-Depth Forum for Brett&#8217;s Work</title>
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	<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/</link>
	<description>How to write a superhero book, comic book or superhero novel and get it published</description>
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		<title>By: B. Mac</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-123320</link>
		<dc:creator>B. Mac</dc:creator>
		<pubDate>Fri, 22 Apr 2011 10:01:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-123320</guid>
		<description>In general, secrets (origins and otherwise) that are unnecessarily confusing, don&#039;t add much intrigue, rely on contrivance, and/or result in continuity errors are more likely to detract from the story than add to it.  If a secret avoids those problems (especially the ratio of confusion to intrigue), I&#039;m pretty confident it&#039;ll work out well.  If not, I&#039;d recommend either fixing the problems or removing the secret.
&lt;br /&gt;
I think those are the main costs of secrets.  But what are the benefits?  In my brief experience reading manuscripts, I think it&#039;s frustratingly rare for secret origins to add anything significant.  
&lt;br /&gt;
In a published example, I think revealing that Leia was Luke&#039;s sister didn&#039;t cause any significant confusion, but what did it &lt;i&gt;add&lt;/i&gt;?  The only rationale I can see for putting it in is that it allowed the writers to switch from the &lt;a href=&quot;http://www.youtube.com/watch?v=oaHXIIyd8nM&quot; rel=&quot;nofollow&quot;&gt;incipient Leia-Luke romance&lt;/a&gt; to Leia-Han without creating bad blood between Luke and the others.  I don&#039;t think that the shift from Leia-Luke to Leia-Han significantly affected the plot, though.  It would probably have been easier and less contrived to just go with Leia-Han from the beginning and cut the secret sibling angle.  </description>
		<content:encoded><![CDATA[<p>In general, secrets (origins and otherwise) that are unnecessarily confusing, don&#8217;t add much intrigue, rely on contrivance, and/or result in continuity errors are more likely to detract from the story than add to it.  If a secret avoids those problems (especially the ratio of confusion to intrigue), I&#8217;m pretty confident it&#8217;ll work out well.  If not, I&#8217;d recommend either fixing the problems or removing the secret.<br />
<br />
I think those are the main costs of secrets.  But what are the benefits?  In my brief experience reading manuscripts, I think it&#8217;s frustratingly rare for secret origins to add anything significant.<br />
<br />
In a published example, I think revealing that Leia was Luke&#8217;s sister didn&#8217;t cause any significant confusion, but what did it <i>add</i>?  The only rationale I can see for putting it in is that it allowed the writers to switch from the <a href="http://www.youtube.com/watch?v=oaHXIIyd8nM" rel="nofollow">incipient Leia-Luke romance</a> to Leia-Han without creating bad blood between Luke and the others.  I don&#8217;t think that the shift from Leia-Luke to Leia-Han significantly affected the plot, though.  It would probably have been easier and less contrived to just go with Leia-Han from the beginning and cut the secret sibling angle.</p>
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		<title>By: Brett</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-123258</link>
		<dc:creator>Brett</dc:creator>
		<pubDate>Fri, 22 Apr 2011 01:01:43 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-123258</guid>
		<description>Ahh, thanks B. Mac, and good points! Btw, I answered some questions over on the &quot;Secret Origins&quot; article. If you don&#039;t mind I&#039;d like you to look over them. There seemed to be some questions about what qualifies as a secret origin, and it might be good to make some adjustments to the article to address similar questions that might crop up in the future.</description>
		<content:encoded><![CDATA[<p>Ahh, thanks B. Mac, and good points! Btw, I answered some questions over on the &#8220;Secret Origins&#8221; article. If you don&#8217;t mind I&#8217;d like you to look over them. There seemed to be some questions about what qualifies as a secret origin, and it might be good to make some adjustments to the article to address similar questions that might crop up in the future.</p>
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	</item>
	<item>
		<title>By: B. Mac</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-123249</link>
		<dc:creator>B. Mac</dc:creator>
		<pubDate>Fri, 22 Apr 2011 00:25:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-123249</guid>
		<description>Welcome back, Brett!
&lt;br /&gt;
Don&#039;t beat yourself up over the drafts you were producing 3+ years ago.  First, everybody gets better with practice.  Second, pretty much &lt;a href=&quot;http://www.superheronation.com/2011/03/19/its-okay-if-your-first-draft-sucks/&quot; / rel=&quot;nofollow&quot;&gt;every chapter written before the completion of the manuscript&#039;s first draft will suck&lt;/a&gt;.  It takes a lot of rewriting to polish chapters to the point of publishability, so I wouldn&#039;t judge your drafts too hard.
&lt;br /&gt;
I feel Tiffany Reisz’s take on this is very productive.  &quot;I don’t stress about the first draft, just throwing it down, anymore than I stress about buying groceries. I might stress over the cooking, but not buying the ingredients.”</description>
		<content:encoded><![CDATA[<p>Welcome back, Brett!<br />
<br />
Don&#8217;t beat yourself up over the drafts you were producing 3+ years ago.  First, everybody gets better with practice.  Second, pretty much <a href="http://www.superheronation.com/2011/03/19/its-okay-if-your-first-draft-sucks/" / rel="nofollow">every chapter written before the completion of the manuscript&#8217;s first draft will suck</a>.  It takes a lot of rewriting to polish chapters to the point of publishability, so I wouldn&#8217;t judge your drafts too hard.<br />
<br />
I feel Tiffany Reisz’s take on this is very productive.  &#8220;I don’t stress about the first draft, just throwing it down, anymore than I stress about buying groceries. I might stress over the cooking, but not buying the ingredients.”</p>
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	<item>
		<title>By: Brett</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-123236</link>
		<dc:creator>Brett</dc:creator>
		<pubDate>Thu, 21 Apr 2011 22:13:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-123236</guid>
		<description>Wow. Reading this stuff now makes me &lt;b&gt;cringe.&lt;/b&gt;</description>
		<content:encoded><![CDATA[<p>Wow. Reading this stuff now makes me <b>cringe.</b></p>
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	<item>
		<title>By: gurion omega</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-90464</link>
		<dc:creator>gurion omega</dc:creator>
		<pubDate>Mon, 22 Nov 2010 20:14:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-90464</guid>
		<description>Uh, you said you e-mailed a PREQUEL to who...b.mac? Can I get one too?
As soon as you answer, I&#039;ll give you my email. Back to my story...</description>
		<content:encoded><![CDATA[<p>Uh, you said you e-mailed a PREQUEL to who&#8230;b.mac? Can I get one too?<br />
As soon as you answer, I&#8217;ll give you my email. Back to my story&#8230;</p>
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	<item>
		<title>By: Brett</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-34799</link>
		<dc:creator>Brett</dc:creator>
		<pubDate>Tue, 07 Jul 2009 22:21:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-34799</guid>
		<description>A few quick notes:

1. Chapter nine revision is up there whenever somebody has time.
2. I just had a writing streak and finished chapters 10-12! YEAH! I will post them as soon as the Chapter 9 revisions are looked over, or maybe before.
3. I&#039;m going to review J.M.&#039;s post in the contest thread as soon as I get back from dinner.

Brett, out!</description>
		<content:encoded><![CDATA[<p>A few quick notes:</p>
<p>1. Chapter nine revision is up there whenever somebody has time.<br />
2. I just had a writing streak and finished chapters 10-12! YEAH! I will post them as soon as the Chapter 9 revisions are looked over, or maybe before.<br />
3. I&#8217;m going to review J.M.&#8217;s post in the contest thread as soon as I get back from dinner.</p>
<p>Brett, out!</p>
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	</item>
	<item>
		<title>By: Brett</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-34577</link>
		<dc:creator>Brett</dc:creator>
		<pubDate>Sun, 05 Jul 2009 22:31:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-34577</guid>
		<description>The chapter has now been retooled a bit. I made the changes you suggested and renamed it. As it stands, Im going to go with either:

-&lt;b&gt;Abandoned and Alone&lt;/b&gt; (emphasizes Alex and company&#039;s half)

OR

-&lt;b&gt;In Trouble&lt;/b&gt; (Which applies to both halves)

What do you think?
---------------------
I also gave special attention to giving the siblings more personality in ways that are subtle enough not to be intrusive (especially for Chandra and Zenobia), and by giving them (Mike in particular) more to say. My basic characterization for the siblings is as follows:

-Mike: He is the scholar, philosopher, and contemplative intellectual. Only a hint of Spockism, not much. He&#039;s &quot;cooler&quot; in temperament than Alex, but still sides with him on most occasions.

-Chandra: she&#039;s emotional and timid as opposed to her mouthy older sister, who is somewhat protective of her. He emotionalism annoys Alex and Mike, who think she needs to toughen up and that she&#039;s illogical, respectively. She will side with Karen on most occasions.

-Zenobia: She&#039;s the little rebel who&#039;s just plain fed up with the fighting and wants no part of it. She sides based on who&#039;s actually right at the time, not based on sibling politics

One other important note: I changed a couple names. &lt;b&gt;Mike&lt;/b&gt; is now &lt;b&gt;Seth&lt;/b&gt; and &lt;b&gt;Karen&lt;/b&gt; is now &lt;b&gt;Kiana&lt;/b&gt;.
----------------------------------------

&lt;b&gt;Chapter 9: Abandoned and Alone&lt;/b&gt;

 The next morning, the small group awoke expecting to hear their parents giving instructions to break camp, make breakfast, and prepare to continue their journey. But strangely, their voices were absent. Zenobia, the youngest, walked a few paces away from the group and began slashing her sword at the air, killing the imaginary soldiers who had taken her parents, aunt, and uncle from her. Seth sat quietly, eyes distant, as if contemplating some great mystery, breaking his reverie only to kill small insects foolish enough to wander close to him. Alex sat near the campfire, using his powers to make shapes out of the flames, honing his skills for the next battle. His concentration was broken by Chandra, who had started to cry.

“Would you shut up, Chandra!”
“Yes, &lt;i&gt;please&lt;/i&gt;!” Seth added. “None of us can think straight with your nonstop weeping.”

“Leave her alone, Seth,” Kiana said. “And while you’re at it, both you and your brother can grow hearts to go along with your retarded brains.”

“Hypocrite.” Alex and Seth replied.

Kiana rolled her eyes and went back to what she was doing earlier: staring at the horizon. She called herself “planning their next move.” But there was one small problem. She walked back toward the campfire, frustrated.

“Ugh! Does anyone know where we are?”

“Yes,” Alex said. “We’re thirty miles south of Keronau and sixty miles east of the Nuba Bridge. Seriously, can’t you girls read maps?” He waved a piece of parchment in the air. “Or perhaps such a &lt;i&gt;noble&lt;/i&gt; purebred human as yourself is far too dignified to do such common tasks.”

“What’s your issue, Alex?”

 “I’m just pointing out that if it weren’t for your masquerading, we’d still be at home right now.”

“I think what you mean is, if it weren’t for your arrogance and stupidity, we’d still be at home right now.”

A tongue of flame from the campfire leaped up toward her. Kiana jumped back in surprise and locked eyes with Alex. Energy crackled at her fingertips.

“Guys, this isn’t helping.” Zenobia said, stepping between them. Her sword was still drawn. “Mom, Dad, Uncle Xavier and Aunt Rishi are on their own. It doesn’t matter whose fault it is. All that matters now is getting to Olorad.”

“She’s right, Alex,” Kiana said, crossing her arms and cocking her head to the side.

“Fine. So what’s your brilliant plan, now that you’ve finally figured out where we are, oh &lt;i&gt;fearless&lt;/i&gt; leader?”

Kiana tossed her hair back, disregarding Alex’s snide remark. “Well, since Keronau is only a day north of here, I say we head into the city, get some supplies, and then continue to Olorad.”

“Undeniably bad move. I’m against it one hundred percent,” Seth said, shaking his head.

“And I’m with Seth,” Alex said, pointing at the northward horizon. “If we take the detour into Keronau we’ll not only lose an &lt;i&gt;entire day&lt;/i&gt; of travel, but we’ll also be risking capture in a city crawling with soldiers.”

“I agree with you, Kiana,” Chandra spoke up. “I’m kinda tired of pack food,” she murmured, wiping her eyes.

“Chandra,” Alex said, fixing her with a harsh stare, “we have stick to the plan. Dad told us to avoid cities for a reason. And–”

At this point, Zenobia sensed yet another argument and threw her hands up in resignation. “Once you guys stop arguing, I’ll be over here if you need me.”

No one heard her, and the word war continued. “Our parents are &lt;i&gt;gone&lt;/i&gt;,” Kiana said. “And they put &lt;i&gt;me&lt;/i&gt; in charge.”

“Ancient Kenlor proverb,” Seth said. ‘In the hands of the inconsiderate, power is tyranny.’” 

“And what is that supposed to mean?” Kiana asked.

“It mean’s you’re an egocentric shrew. Plain enough, simpleton?” 

Alex laughed at Seth’s comment.

“Spitting out proverbs for every situation doesn’t make you a wise man, Seth,” Kiana retorted.

“And being in charge doesn’t make you a leader, Kiana,” Seth shot back.

“And what is &lt;i&gt;that&lt;/i&gt; supposed to mean? Ugh, forget it. Besides, what you and your brother missed in your analysis is that the Knights have permission from the king, who lives in Keronau, by the way, to operate in Anassia. The lieutenant said so when we were captured. My bet is that the king has no clue what Halifax is doing. If we &lt;i&gt;are&lt;/i&gt; captured, all we have to do is show the king the Knights’ crest and explain everything.”

“What you missed in &lt;i&gt;your&lt;/i&gt; analysis is that we have no guarantee of &lt;i&gt;seeing&lt;/i&gt; the king,” Alex said.

“Hmph!” Kiana tossed her hair in annoyance and began to stomp away. She turned back and said, “You know, it doesn’t matter &lt;i&gt;what&lt;/i&gt; you think Alex. &lt;i&gt;I&lt;/i&gt; have the crest, &lt;i&gt;I&lt;/i&gt; have the Seer mark, &lt;i&gt;I’m&lt;/i&gt; the leader, and &lt;i&gt;I&lt;/i&gt; say we go!”

The group packed up camp and headed north. On the way, Alex took a shiny golden object on a silver chain out of his pocket. He smiled. “You have the crest, eh? I wouldn’t be so sure about that.” A few minutes later, Kiana screamed when she discovered her loss, and Alex basked in the sweet satisfaction of a plot well planned.


Captain Halifax was furious. He tramped into his accommodations in the barracks of the Royal Guard’s Keronau garrison and slammed the door. He did not want to be disturbed. He slumped into a nearby chair, made high quality leather with the Anassite coat of arms embossed on it in gold.

Yet again, he had been outwitted by the Knights Telessar. The abomination children had escaped without a trace. Frustrating, but not the worst part. The worst part was that during the confusion caused by the explosives and mist, Halifax had somehow managed to lose sixty-seven men to a force of only four. And as much as he hated to admit it, the Knight’s strategy had been good. Despicably good. Of the fifty men he had handpicked for this mission, Halifax had only a pitiful eight remaining. And this time, the king wasn’t going to believe any cover story about desert raiders attacking the borders, or civilian uprisings and riots. 

Just then, a knock sounded at the door, interrupting Halifax’s impassioned delivery. “Enter.” he said, his voice rough with irritation.

Captain Klass, Halifax’s new aide, walked into the room and gave his general a smart salute. “General Halifax, &lt;i&gt;sir&lt;/i&gt;.” he pronounced the title with a hint of scorn in his voice. Klass was quite unlike the dedicated and loyal, if over-cautious, Grader. He was sneering, rebellious, and dissident. Nevertheless, Halifax had picked him as his new aide. The general felt that Klass had two redeeming characteristics. First, he had much more personality and fire than the more conservative Grader did. Second, even if Klass was a bit two-faced, at least he was so openly. Halifax would have no worries about his second-in-command plotting against him behind his back. And right now, that was crucial.

“At ease, Captain. Sit down.”

The captain did as ordered, but was a bit jumpy, as if he had something he couldn’t wait to get out.

“Klass, have I ever told you about my brother, Jaxon?”

Klass put on an annoyed expression. “No, &lt;i&gt;sir&lt;/i&gt;.”

“Ah,” Halifax said with a wistful expression. “Well, when I was a lad, I joined the Royal Guard to follow in his steps. Not long afterward, because of his exemplary talent and as both soldier and officer, Jaxon was invited to join the Knights Telessar. I begged him not to go, but he went. It’s because he went, that he is no longer alive.”

Klass rolled his eyes. He could care less about the General’s life story.

“And he didn’t even die a soldier’s death, but an unnatural demise at the hands of some arcane witchery. Curse the Knights and their infernal meddling,” Halifax continued. “It is my duty to cleanse this kingdom of them all. Demons in men’s clothing that they are. But anyway, what did you come to report?”

Klass heaved a sigh of relief. &lt;i&gt;Finally&lt;/i&gt;. “There is both good news and bad news, sir.”

“What is the bad news?” Halifax said with a sigh.

The captain smiled, taking pleasure in being the bearer of bad news. “The men are uneasy with your command sir. Word of our &lt;i&gt;tragic&lt;/i&gt; losses at the hands of the Knights has spread through the ranks like wildfire.”

Halifax clenched his fist. “Now I wonder who was responsible for that?” he said, fixing Klass with a glare. 

The captain was positively beaming. I don’t have a clue, sir.”

“Of course not. Now that you’ve had your fun, Captain, tell the men they are not to speak of these things. To &lt;i&gt;anyone&lt;/i&gt;. It’s getting hard enough to keep the men in check as it is. And make not mistake, it isn’t just my career, and head, at stake here. Understand?” 
The captain’s smile faded. He hadn’t thought that he might also be held responsible for the mishap with the Knights. “Yes, sir.”

“Good,” Halifax said. This was one order he was certain Klass would follow. “And the good news?”

Klass sparked to life, putting on smile that outshone the previous one. “We have them in our sights, sir.”

“Have whom?”

“The Knights’ five children. They are in the city now.”

Halifax’s eyebrows shot up. “What? You’re sure of this?”

“Positive, sir.”

“Well, what are you waiting for, imbecile? Get thirty men ready immediately, we will capture them now.”

“Thirty men, Halifax? Isn’t that a bit much? We just lost over three scores to the Knights and now you want to send another score and a half? The soldiers will assume you’re sending even more of them out to be slaughtered. One of them might even be tempted to report you. To the &lt;i&gt;king&lt;/i&gt;.”

Halifax noted that Klass had neglected to address him by his title and shot him another steely glare. “&lt;i&gt;General&lt;/i&gt; Halifax. And my orders are to be obeyed, not questioned. We have underestimated the Knights to disastrous results. We must not do so again.”

“Yes, &lt;i&gt;sir&lt;/i&gt;.” There was that sneer again.

“And Klass?”

“Sir?”

“Under &lt;i&gt;no&lt;/i&gt; circumstances are those children to reach the king’s palace. If our cover story deteriorates, it will be the end for both of us. As it stands, the only way out for us is to ‘prove’ this Knights Telessar conspiracy. Understand?”

“Completely, General.”

“Excellent. Dismissed!”

Outside the door, Klass said loud enough for Halifax to hear, “Hmph! Mad as a March hare.”</description>
		<content:encoded><![CDATA[<p>The chapter has now been retooled a bit. I made the changes you suggested and renamed it. As it stands, Im going to go with either:</p>
<p>-<b>Abandoned and Alone</b> (emphasizes Alex and company&#8217;s half)</p>
<p>OR</p>
<p>-<b>In Trouble</b> (Which applies to both halves)</p>
<p>What do you think?<br />
&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<br />
I also gave special attention to giving the siblings more personality in ways that are subtle enough not to be intrusive (especially for Chandra and Zenobia), and by giving them (Mike in particular) more to say. My basic characterization for the siblings is as follows:</p>
<p>-Mike: He is the scholar, philosopher, and contemplative intellectual. Only a hint of Spockism, not much. He&#8217;s &#8220;cooler&#8221; in temperament than Alex, but still sides with him on most occasions.</p>
<p>-Chandra: she&#8217;s emotional and timid as opposed to her mouthy older sister, who is somewhat protective of her. He emotionalism annoys Alex and Mike, who think she needs to toughen up and that she&#8217;s illogical, respectively. She will side with Karen on most occasions.</p>
<p>-Zenobia: She&#8217;s the little rebel who&#8217;s just plain fed up with the fighting and wants no part of it. She sides based on who&#8217;s actually right at the time, not based on sibling politics</p>
<p>One other important note: I changed a couple names. <b>Mike</b> is now <b>Seth</b> and <b>Karen</b> is now <b>Kiana</b>.<br />
&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-</p>
<p><b>Chapter 9: Abandoned and Alone</b></p>
<p> The next morning, the small group awoke expecting to hear their parents giving instructions to break camp, make breakfast, and prepare to continue their journey. But strangely, their voices were absent. Zenobia, the youngest, walked a few paces away from the group and began slashing her sword at the air, killing the imaginary soldiers who had taken her parents, aunt, and uncle from her. Seth sat quietly, eyes distant, as if contemplating some great mystery, breaking his reverie only to kill small insects foolish enough to wander close to him. Alex sat near the campfire, using his powers to make shapes out of the flames, honing his skills for the next battle. His concentration was broken by Chandra, who had started to cry.</p>
<p>“Would you shut up, Chandra!”<br />
“Yes, <i>please</i>!” Seth added. “None of us can think straight with your nonstop weeping.”</p>
<p>“Leave her alone, Seth,” Kiana said. “And while you’re at it, both you and your brother can grow hearts to go along with your retarded brains.”</p>
<p>“Hypocrite.” Alex and Seth replied.</p>
<p>Kiana rolled her eyes and went back to what she was doing earlier: staring at the horizon. She called herself “planning their next move.” But there was one small problem. She walked back toward the campfire, frustrated.</p>
<p>“Ugh! Does anyone know where we are?”</p>
<p>“Yes,” Alex said. “We’re thirty miles south of Keronau and sixty miles east of the Nuba Bridge. Seriously, can’t you girls read maps?” He waved a piece of parchment in the air. “Or perhaps such a <i>noble</i> purebred human as yourself is far too dignified to do such common tasks.”</p>
<p>“What’s your issue, Alex?”</p>
<p> “I’m just pointing out that if it weren’t for your masquerading, we’d still be at home right now.”</p>
<p>“I think what you mean is, if it weren’t for your arrogance and stupidity, we’d still be at home right now.”</p>
<p>A tongue of flame from the campfire leaped up toward her. Kiana jumped back in surprise and locked eyes with Alex. Energy crackled at her fingertips.</p>
<p>“Guys, this isn’t helping.” Zenobia said, stepping between them. Her sword was still drawn. “Mom, Dad, Uncle Xavier and Aunt Rishi are on their own. It doesn’t matter whose fault it is. All that matters now is getting to Olorad.”</p>
<p>“She’s right, Alex,” Kiana said, crossing her arms and cocking her head to the side.</p>
<p>“Fine. So what’s your brilliant plan, now that you’ve finally figured out where we are, oh <i>fearless</i> leader?”</p>
<p>Kiana tossed her hair back, disregarding Alex’s snide remark. “Well, since Keronau is only a day north of here, I say we head into the city, get some supplies, and then continue to Olorad.”</p>
<p>“Undeniably bad move. I’m against it one hundred percent,” Seth said, shaking his head.</p>
<p>“And I’m with Seth,” Alex said, pointing at the northward horizon. “If we take the detour into Keronau we’ll not only lose an <i>entire day</i> of travel, but we’ll also be risking capture in a city crawling with soldiers.”</p>
<p>“I agree with you, Kiana,” Chandra spoke up. “I’m kinda tired of pack food,” she murmured, wiping her eyes.</p>
<p>“Chandra,” Alex said, fixing her with a harsh stare, “we have stick to the plan. Dad told us to avoid cities for a reason. And–”</p>
<p>At this point, Zenobia sensed yet another argument and threw her hands up in resignation. “Once you guys stop arguing, I’ll be over here if you need me.”</p>
<p>No one heard her, and the word war continued. “Our parents are <i>gone</i>,” Kiana said. “And they put <i>me</i> in charge.”</p>
<p>“Ancient Kenlor proverb,” Seth said. ‘In the hands of the inconsiderate, power is tyranny.’” </p>
<p>“And what is that supposed to mean?” Kiana asked.</p>
<p>“It mean’s you’re an egocentric shrew. Plain enough, simpleton?” </p>
<p>Alex laughed at Seth’s comment.</p>
<p>“Spitting out proverbs for every situation doesn’t make you a wise man, Seth,” Kiana retorted.</p>
<p>“And being in charge doesn’t make you a leader, Kiana,” Seth shot back.</p>
<p>“And what is <i>that</i> supposed to mean? Ugh, forget it. Besides, what you and your brother missed in your analysis is that the Knights have permission from the king, who lives in Keronau, by the way, to operate in Anassia. The lieutenant said so when we were captured. My bet is that the king has no clue what Halifax is doing. If we <i>are</i> captured, all we have to do is show the king the Knights’ crest and explain everything.”</p>
<p>“What you missed in <i>your</i> analysis is that we have no guarantee of <i>seeing</i> the king,” Alex said.</p>
<p>“Hmph!” Kiana tossed her hair in annoyance and began to stomp away. She turned back and said, “You know, it doesn’t matter <i>what</i> you think Alex. <i>I</i> have the crest, <i>I</i> have the Seer mark, <i>I’m</i> the leader, and <i>I</i> say we go!”</p>
<p>The group packed up camp and headed north. On the way, Alex took a shiny golden object on a silver chain out of his pocket. He smiled. “You have the crest, eh? I wouldn’t be so sure about that.” A few minutes later, Kiana screamed when she discovered her loss, and Alex basked in the sweet satisfaction of a plot well planned.</p>
<p>Captain Halifax was furious. He tramped into his accommodations in the barracks of the Royal Guard’s Keronau garrison and slammed the door. He did not want to be disturbed. He slumped into a nearby chair, made high quality leather with the Anassite coat of arms embossed on it in gold.</p>
<p>Yet again, he had been outwitted by the Knights Telessar. The abomination children had escaped without a trace. Frustrating, but not the worst part. The worst part was that during the confusion caused by the explosives and mist, Halifax had somehow managed to lose sixty-seven men to a force of only four. And as much as he hated to admit it, the Knight’s strategy had been good. Despicably good. Of the fifty men he had handpicked for this mission, Halifax had only a pitiful eight remaining. And this time, the king wasn’t going to believe any cover story about desert raiders attacking the borders, or civilian uprisings and riots. </p>
<p>Just then, a knock sounded at the door, interrupting Halifax’s impassioned delivery. “Enter.” he said, his voice rough with irritation.</p>
<p>Captain Klass, Halifax’s new aide, walked into the room and gave his general a smart salute. “General Halifax, <i>sir</i>.” he pronounced the title with a hint of scorn in his voice. Klass was quite unlike the dedicated and loyal, if over-cautious, Grader. He was sneering, rebellious, and dissident. Nevertheless, Halifax had picked him as his new aide. The general felt that Klass had two redeeming characteristics. First, he had much more personality and fire than the more conservative Grader did. Second, even if Klass was a bit two-faced, at least he was so openly. Halifax would have no worries about his second-in-command plotting against him behind his back. And right now, that was crucial.</p>
<p>“At ease, Captain. Sit down.”</p>
<p>The captain did as ordered, but was a bit jumpy, as if he had something he couldn’t wait to get out.</p>
<p>“Klass, have I ever told you about my brother, Jaxon?”</p>
<p>Klass put on an annoyed expression. “No, <i>sir</i>.”</p>
<p>“Ah,” Halifax said with a wistful expression. “Well, when I was a lad, I joined the Royal Guard to follow in his steps. Not long afterward, because of his exemplary talent and as both soldier and officer, Jaxon was invited to join the Knights Telessar. I begged him not to go, but he went. It’s because he went, that he is no longer alive.”</p>
<p>Klass rolled his eyes. He could care less about the General’s life story.</p>
<p>“And he didn’t even die a soldier’s death, but an unnatural demise at the hands of some arcane witchery. Curse the Knights and their infernal meddling,” Halifax continued. “It is my duty to cleanse this kingdom of them all. Demons in men’s clothing that they are. But anyway, what did you come to report?”</p>
<p>Klass heaved a sigh of relief. <i>Finally</i>. “There is both good news and bad news, sir.”</p>
<p>“What is the bad news?” Halifax said with a sigh.</p>
<p>The captain smiled, taking pleasure in being the bearer of bad news. “The men are uneasy with your command sir. Word of our <i>tragic</i> losses at the hands of the Knights has spread through the ranks like wildfire.”</p>
<p>Halifax clenched his fist. “Now I wonder who was responsible for that?” he said, fixing Klass with a glare. </p>
<p>The captain was positively beaming. I don’t have a clue, sir.”</p>
<p>“Of course not. Now that you’ve had your fun, Captain, tell the men they are not to speak of these things. To <i>anyone</i>. It’s getting hard enough to keep the men in check as it is. And make not mistake, it isn’t just my career, and head, at stake here. Understand?”<br />
The captain’s smile faded. He hadn’t thought that he might also be held responsible for the mishap with the Knights. “Yes, sir.”</p>
<p>“Good,” Halifax said. This was one order he was certain Klass would follow. “And the good news?”</p>
<p>Klass sparked to life, putting on smile that outshone the previous one. “We have them in our sights, sir.”</p>
<p>“Have whom?”</p>
<p>“The Knights’ five children. They are in the city now.”</p>
<p>Halifax’s eyebrows shot up. “What? You’re sure of this?”</p>
<p>“Positive, sir.”</p>
<p>“Well, what are you waiting for, imbecile? Get thirty men ready immediately, we will capture them now.”</p>
<p>“Thirty men, Halifax? Isn’t that a bit much? We just lost over three scores to the Knights and now you want to send another score and a half? The soldiers will assume you’re sending even more of them out to be slaughtered. One of them might even be tempted to report you. To the <i>king</i>.”</p>
<p>Halifax noted that Klass had neglected to address him by his title and shot him another steely glare. “<i>General</i> Halifax. And my orders are to be obeyed, not questioned. We have underestimated the Knights to disastrous results. We must not do so again.”</p>
<p>“Yes, <i>sir</i>.” There was that sneer again.</p>
<p>“And Klass?”</p>
<p>“Sir?”</p>
<p>“Under <i>no</i> circumstances are those children to reach the king’s palace. If our cover story deteriorates, it will be the end for both of us. As it stands, the only way out for us is to ‘prove’ this Knights Telessar conspiracy. Understand?”</p>
<p>“Completely, General.”</p>
<p>“Excellent. Dismissed!”</p>
<p>Outside the door, Klass said loud enough for Halifax to hear, “Hmph! Mad as a March hare.”</p>
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		<title>By: Ragged Boy</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-34569</link>
		<dc:creator>Ragged Boy</dc:creator>
		<pubDate>Sun, 05 Jul 2009 20:36:42 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-34569</guid>
		<description>&quot;Tell me where to start. It looks a bit muddled at a glance.&quot;

Oh. That&#039;s where things get a little sticky. I&#039;ll have to send B. Mac the complete, fully edited first issue script. And that could take a while seeing as I&#039;m without internet. I guess you could wait. Alternatively, if you&#039;re in the mood for an adventure you could rummage through my forum for pieces of semi-completed work. I understand that that doesn&#039;t sound very appetizing, but its always there. You can comment on anything you&#039;d like.

Peace!</description>
		<content:encoded><![CDATA[<p>&#8220;Tell me where to start. It looks a bit muddled at a glance.&#8221;</p>
<p>Oh. That&#8217;s where things get a little sticky. I&#8217;ll have to send B. Mac the complete, fully edited first issue script. And that could take a while seeing as I&#8217;m without internet. I guess you could wait. Alternatively, if you&#8217;re in the mood for an adventure you could rummage through my forum for pieces of semi-completed work. I understand that that doesn&#8217;t sound very appetizing, but its always there. You can comment on anything you&#8217;d like.</p>
<p>Peace!</p>
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		<title>By: Brett</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-34567</link>
		<dc:creator>Brett</dc:creator>
		<pubDate>Sun, 05 Jul 2009 20:30:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-34567</guid>
		<description>@ RB: Tell me where to start. It looks a bit muddled at a glance.</description>
		<content:encoded><![CDATA[<p>@ RB: Tell me where to start. It looks a bit muddled at a glance.</p>
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		<title>By: Brett</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-34564</link>
		<dc:creator>Brett</dc:creator>
		<pubDate>Sun, 05 Jul 2009 20:27:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-34564</guid>
		<description>Points well taken. I&#039;ll make some changes. And I&#039;m getting back into the swing of things now, trying to circulate more.</description>
		<content:encoded><![CDATA[<p>Points well taken. I&#8217;ll make some changes. And I&#8217;m getting back into the swing of things now, trying to circulate more.</p>
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		<title>By: Ragged Boy</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-34562</link>
		<dc:creator>Ragged Boy</dc:creator>
		<pubDate>Sun, 05 Jul 2009 20:09:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-34562</guid>
		<description>&quot;It might help if you commented on other people’s review forums in the interim.&quot;

I&#039;d love your review of Showtime thus far, Brett ol&#039; boy. ;-)

Ok, so I read chaper nine and I thinks it pretty good. Although, I definitely feel that Halifax&#039;s scene stole the chapter. I like Halifax&#039;s characterization. I&#039;d definitely recommend that you pump up the roles of the younger siblings. It&#039;s too late to remove them (and I wouldn&#039;t want you to, anyway) so at least make them interesting. Michael&#039;s got a little personality, but Zenobia and Chandra are pretty dry. Zenobia is Karen&#039;s younger sister, right?

Other than that I&#039;d say just go along with B. Mac&#039;s comments. 

On a side note, I&#039;d like to say that I&#039;m enjoying reading and reviewing your work. Keep up the awesome work, bro!</description>
		<content:encoded><![CDATA[<p>&#8220;It might help if you commented on other people’s review forums in the interim.&#8221;</p>
<p>I&#8217;d love your review of Showtime thus far, Brett ol&#8217; boy. <img src='http://www.superheronation.com/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' /> </p>
<p>Ok, so I read chaper nine and I thinks it pretty good. Although, I definitely feel that Halifax&#8217;s scene stole the chapter. I like Halifax&#8217;s characterization. I&#8217;d definitely recommend that you pump up the roles of the younger siblings. It&#8217;s too late to remove them (and I wouldn&#8217;t want you to, anyway) so at least make them interesting. Michael&#8217;s got a little personality, but Zenobia and Chandra are pretty dry. Zenobia is Karen&#8217;s younger sister, right?</p>
<p>Other than that I&#8217;d say just go along with B. Mac&#8217;s comments. </p>
<p>On a side note, I&#8217;d like to say that I&#8217;m enjoying reading and reviewing your work. Keep up the awesome work, bro!</p>
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		<title>By: B. Mac</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-34557</link>
		<dc:creator>B. Mac</dc:creator>
		<pubDate>Sun, 05 Jul 2009 19:21:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-34557</guid>
		<description>In terms of readership, I&#039;m about 50% more busy than I was three months ago, and ridiculously more busy than I was a year ago.  
&lt;br /&gt;
It might help if you commented on other people&#039;s review forums in the interim.  Following a story up to chapter 9 takes a lot of commitment and I think that people would be more likely to go that far if they felt you had been very generous with them.  
&lt;br /&gt;
...
&lt;br /&gt;
Here are some thoughts and suggestions regarding chapter nine.  
&lt;br /&gt;
--I feel the title is too chatty and probably too modern.  
&lt;br /&gt;
--&quot;Then came the bitter realization: their parents were gone.&quot;  This should probably be shown rather than told.  I&#039;d recommend dialogue.  
&lt;br /&gt;
--I don&#039;t remember who these side-characters are (Chandra and Michael).  I&#039;m a big fan of character triangles (three characters that each perform a distinct function), but neither one of these side-characters has solid chemistry with Alex and Karen.  Ditto Zenobia.  There are a lot of extras in this scene.  Umm, I guess a good reason to have a younger sibling in this scene could be to have someone for Alex and Karen to fight over, but I don&#039;t feel that they&#039;ve been well-used for that.  Nor do I think that having so many minor characters is necessary.  
&lt;br /&gt;
--Who&#039;s Zenobia?
&lt;br /&gt;
--I don&#039;t feel like Karen&#039;s pretentious voice is quite consistent.  She&#039;s the one that says &quot;You trying to start something,&quot; right?  
&lt;br /&gt;
--I&#039;d recommend tagging your lines.  Who&#039;s the speaker for &quot;She&#039;s right, Alex&quot;?  With at least three characters in the scene that aren&#039;t Karen or Alex, there are several candidates.  
&lt;br /&gt;
--I&#039;d recommend putting in more body language, and tying it more closely to what&#039;s going on in the dialogue.  For example... “I’m against it one hundred percent,” Michael said, jumping up and walking toward them.  Hmm... what does Michael&#039;s jumping up and walking toward them have to do with what he just said?  It seems like one of those logistical details that readers could probably just imagine on their own?  
&lt;br /&gt;
&quot;Alex locked eyes with Karen, fiery scarlet meeting radiant silver.&quot;  This strikes me as overwrought.  My personal feeling is that eyes are rarely as interesting to readers as they are to the author.  
&lt;br /&gt;
I like that Alex stole the crest.  Haha.  
&lt;br /&gt;
The first paragraph with Halifax is exceedingly long, 350 words.  Please split it up into 3-5 paragraphs.  
&lt;br /&gt;
&quot;His room was that of a high officer, and therefore comfortable, but Halifax took no notice of anything except a nearby chair, and slumped into it.&quot;  I&#039;d recommend showing these details and shortening.  &quot;The officer slumped into a [detail to show the chair is nice] chair.&quot;  I wouldn&#039;t recommend telling us that he doesn&#039;t notice the other stuff in the room.  
&lt;br /&gt;
Some recounting of what happened on the bridge is ok, but I think that we get a bit too much here.  Also, I would recommend having him tone down his glowing praise for the Knights&#039; strategy a bit.  
&lt;br /&gt;
I think it&#039;s interesting that the men are getting unruly and that he&#039;s worried about keeping his job and his head.  But I don&#039;t think that the story so far has really exploited those elements.  Part of the problem is that the character is alone and the narrator is filling the silence with a lot of exposition (an infodump).  It might help to move this scene to the general trying to inspire the remaining troops instead.  
&lt;br /&gt;
I think the memory of Jaxon could be brought in more smoothly.  Again, I think that this should probably be moved into dialogue.  
&lt;br /&gt;
&quot;30 men.  Isn&#039;t that a bit much?&quot;  This doesn&#039;t feel consistent with the mood, I think.  They just lost ~50 men on the bridge-- I doubt anyone would complain about overkill at this point.  If it&#039;s really important for Klass to complain here, I&#039;d recommend having him complain about sending too &lt;i&gt;few&lt;/i&gt; men.  But, of course, the General has to be careful about sending too many because his reserves are dwindling and the men might mutiny...</description>
		<content:encoded><![CDATA[<p>In terms of readership, I&#8217;m about 50% more busy than I was three months ago, and ridiculously more busy than I was a year ago.<br />
<br />
It might help if you commented on other people&#8217;s review forums in the interim.  Following a story up to chapter 9 takes a lot of commitment and I think that people would be more likely to go that far if they felt you had been very generous with them.<br />
<br />
&#8230;<br />
<br />
Here are some thoughts and suggestions regarding chapter nine.<br />
<br />
&#8211;I feel the title is too chatty and probably too modern.<br />
<br />
&#8211;&#8221;Then came the bitter realization: their parents were gone.&#8221;  This should probably be shown rather than told.  I&#8217;d recommend dialogue.<br />
<br />
&#8211;I don&#8217;t remember who these side-characters are (Chandra and Michael).  I&#8217;m a big fan of character triangles (three characters that each perform a distinct function), but neither one of these side-characters has solid chemistry with Alex and Karen.  Ditto Zenobia.  There are a lot of extras in this scene.  Umm, I guess a good reason to have a younger sibling in this scene could be to have someone for Alex and Karen to fight over, but I don&#8217;t feel that they&#8217;ve been well-used for that.  Nor do I think that having so many minor characters is necessary.<br />
<br />
&#8211;Who&#8217;s Zenobia?<br />
<br />
&#8211;I don&#8217;t feel like Karen&#8217;s pretentious voice is quite consistent.  She&#8217;s the one that says &#8220;You trying to start something,&#8221; right?<br />
<br />
&#8211;I&#8217;d recommend tagging your lines.  Who&#8217;s the speaker for &#8220;She&#8217;s right, Alex&#8221;?  With at least three characters in the scene that aren&#8217;t Karen or Alex, there are several candidates.<br />
<br />
&#8211;I&#8217;d recommend putting in more body language, and tying it more closely to what&#8217;s going on in the dialogue.  For example&#8230; “I’m against it one hundred percent,” Michael said, jumping up and walking toward them.  Hmm&#8230; what does Michael&#8217;s jumping up and walking toward them have to do with what he just said?  It seems like one of those logistical details that readers could probably just imagine on their own?<br />
<br />
&#8220;Alex locked eyes with Karen, fiery scarlet meeting radiant silver.&#8221;  This strikes me as overwrought.  My personal feeling is that eyes are rarely as interesting to readers as they are to the author.<br />
<br />
I like that Alex stole the crest.  Haha.<br />
<br />
The first paragraph with Halifax is exceedingly long, 350 words.  Please split it up into 3-5 paragraphs.<br />
<br />
&#8220;His room was that of a high officer, and therefore comfortable, but Halifax took no notice of anything except a nearby chair, and slumped into it.&#8221;  I&#8217;d recommend showing these details and shortening.  &#8220;The officer slumped into a [detail to show the chair is nice] chair.&#8221;  I wouldn&#8217;t recommend telling us that he doesn&#8217;t notice the other stuff in the room.<br />
<br />
Some recounting of what happened on the bridge is ok, but I think that we get a bit too much here.  Also, I would recommend having him tone down his glowing praise for the Knights&#8217; strategy a bit.<br />
<br />
I think it&#8217;s interesting that the men are getting unruly and that he&#8217;s worried about keeping his job and his head.  But I don&#8217;t think that the story so far has really exploited those elements.  Part of the problem is that the character is alone and the narrator is filling the silence with a lot of exposition (an infodump).  It might help to move this scene to the general trying to inspire the remaining troops instead.<br />
<br />
I think the memory of Jaxon could be brought in more smoothly.  Again, I think that this should probably be moved into dialogue.<br />
<br />
&#8220;30 men.  Isn&#8217;t that a bit much?&#8221;  This doesn&#8217;t feel consistent with the mood, I think.  They just lost ~50 men on the bridge&#8211; I doubt anyone would complain about overkill at this point.  If it&#8217;s really important for Klass to complain here, I&#8217;d recommend having him complain about sending too <i>few</i> men.  But, of course, the General has to be careful about sending too many because his reserves are dwindling and the men might mutiny&#8230;</p>
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		<title>By: Brett</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-34550</link>
		<dc:creator>Brett</dc:creator>
		<pubDate>Sun, 05 Jul 2009 17:00:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-34550</guid>
		<description>Maybe I missed a memo. Have you been extremely busy lately? Well, whenever you get a chance, see above.</description>
		<content:encoded><![CDATA[<p>Maybe I missed a memo. Have you been extremely busy lately? Well, whenever you get a chance, see above.</p>
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		<title>By: Brett</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-34501</link>
		<dc:creator>Brett</dc:creator>
		<pubDate>Sun, 05 Jul 2009 01:47:37 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-34501</guid>
		<description>*reminder*</description>
		<content:encoded><![CDATA[<p>*reminder*</p>
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		<title>By: Brett</title>
		<link>http://www.superheronation.com/2007/11/28/an-in-depth-forum-for-bretts-work/comment-page-1/#comment-34397</link>
		<dc:creator>Brett</dc:creator>
		<pubDate>Fri, 03 Jul 2009 23:29:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.superheronation.com/?p=1361#comment-34397</guid>
		<description>I must be on the waiting list.*shrug* Thats cool. I&#039;ll consider it a &quot;patience exercise.&quot;</description>
		<content:encoded><![CDATA[<p>I must be on the waiting list.*shrug* Thats cool. I&#8217;ll consider it a &#8220;patience exercise.&#8221;</p>
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